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Namespace Prefixes

PrefixIRI
crmscihttp://www.ics.forth.gr/isl/CRMsci/
n2http://data.silknow.org/object/ba7b5009-d7bd-330d-8a0e-93bc1188eba3/observation/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n5http://data.silknow.org/object/
xsdhhttp://www.w3.org/2001/XMLSchema#
n6http://data.silknow.org/observation/

Statements

Subject Item
n2:3
rdf:type
crmsci:S4_Observation
ecrm:P3_has_note
<b>Object Type</b><br>This piece of embroidery is a fragment of an altar frontal, a rectangular hanging covering the front of the altar. <br><br><b>Historical Associations</b><br>The altar frontal from which this fragment came may have been made for Lady Catherine Stafford, for use in the private chapel of the Neville family. It is associated with Lady Stafford partly because St Catherine was her patron saint. Furthermore, another altar frontal (Museum no. 35-1888), acquired at the same time and similar in style, shows the figures of Lady Catherine, her husband and their children. This suggests that the two embroideries may have come from the same original set of church furnishings. <br><br><b>Makers & Making</b><br>This embroidery was made in a workshop, probably in London. The sumptuous and dramatic effect has been achieved by applying a large-scale figure made of rich materials to a contrasting background material. The original background material has been replaced, but we can assume that it would have been brightly-coloured, quite possibly red velvet. Church furnishings made of rich and expensive materials were often cut up and the parts reused.
ecrm:P2_has_type
n6:general-observation
crmsci:O8_observed
n5:ba7b5009-d7bd-330d-8a0e-93bc1188eba3