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Namespace Prefixes

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Statements

Subject Item
n6:99a1a581-b7e9-5701-b739-d5a76ef42916
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
rdf:object
n9:743
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n2:ba0a23f2-017c-3c92-9209-9c82e95c3e2a
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n8:99a1a581-b7e9-5701-b739-d5a76ef42916
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Subject Item
n2:ba0a23f2-017c-3c92-9209-9c82e95c3e2a
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1711~, Beauvais
rdfs:comment
Presenting musicians within a fanciful architectural setting, this tapestry is from a set known as the Berain Grotesques, in reference to the pervasive stylistic influence of Jean Berain (1640–1711), who may even have provided preliminary sketches. The Classical architecture, flora, fauna and figures against the blank ground was in emulation of the Roman wall-paintings excavated in the subterranean chambers of Nero's palace in Rome (erroneously called 'grotti', hence 'grotesques'.) The light-hearted subject matter and whimsical design contrast with the heavier, ornate style that had characterized French tapestry during the third quarter of the seventeenth century. The series enjoyed immense popularity during the late seventeenth and early eighteenth centuries, and the Beauvais workshop produced many weavings for international clients.
owl:sameAs
n4:229570
dc:identifier
1977.437.5
ecrm:P3_has_note
Presenting musicians within a fanciful architectural setting, this tapestry is from a set known as the Berain Grotesques, in reference to the pervasive stylistic influence of Jean Berain (1640–1711), who may even have provided preliminary sketches. The Classical architecture, flora, fauna and figures against the blank ground was in emulation of the Roman wall-paintings excavated in the subterranean chambers of Nero's palace in Rome (erroneously called 'grotti', hence 'grotesques'.) The light-hearted subject matter and whimsical design contrast with the heavier, ornate style that had characterized French tapestry during the third quarter of the seventeenth century. The series enjoyed immense popularity during the late seventeenth and early eighteenth centuries, and the Beauvais workshop produced many weavings for international clients.
ecrm:P65_shows_visual_item
n9:743
ecrm:P138i_has_representation
n12:1f94c582-80dd-3b42-9c4d-561d4471ef33
ecrm:P102_has_title
1711~, Beauvais