This HTML5 document contains 17 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

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Statements

Subject Item
n9:a72de7d3-53a7-5630-8822-f35e5f70265a
rdf:type
rdf:Statement
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ecrm:P65_shows_visual_item
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n5:743
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n2:b95dfd7d-868d-3979-8b2b-c4ba7d4a3bd0
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n11:a72de7d3-53a7-5630-8822-f35e5f70265a
silk:L18
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n2:b95dfd7d-868d-3979-8b2b-c4ba7d4a3bd0
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ecrm:E22_Man-Made_Object
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1839, Lyon
rdfs:comment
Joseph-Marie Jacquard (1752–1834) invented the Jacquard mechanism, a patterning device than, when attached to a loom, made it practical to weave more detailed designs than were previously possible. This woven silk portrait of the inventor is based on a painting by Claude Bonnefond (1796–1860) that was commissioned by the city of Lyon in 1831. The Lyon manufacturer Didier, Petit et Cie ordered the silk version from weaver Michel-Marie Carquillat, who became a specialist in this kind of work. The Museum owns another woven picture after a painting by Bonnefond, showing the duc d'Aumale (son of the French king Louis-Philippe) visiting Carquillat's atelier.The silk picture convincingly portrays elements such as a translucent curtain over glass window panes. Only after the Jacquard loom came into use could a work of this extreme level of detail be produced–a contemporary journal reported that one Lyonnais printer actually mistook a woven portrait.
owl:sameAs
n7:222531
dc:identifier
31.124
ecrm:P3_has_note
Joseph-Marie Jacquard (1752–1834) invented the Jacquard mechanism, a patterning device than, when attached to a loom, made it practical to weave more detailed designs than were previously possible. This woven silk portrait of the inventor is based on a painting by Claude Bonnefond (1796–1860) that was commissioned by the city of Lyon in 1831. The Lyon manufacturer Didier, Petit et Cie ordered the silk version from weaver Michel-Marie Carquillat, who became a specialist in this kind of work. The Museum owns another woven picture after a painting by Bonnefond, showing the duc d'Aumale (son of the French king Louis-Philippe) visiting Carquillat's atelier.The silk picture convincingly portrays elements such as a translucent curtain over glass window panes. Only after the Jacquard loom came into use could a work of this extreme level of detail be produced–a contemporary journal reported that one Lyonnais printer actually mistook a woven portrait.
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n5:743
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n12:870c1157-d719-3136-a11b-a6f476c2c021
ecrm:P102_has_title
1839, Lyon