HTML Microdata document

This HTML5 document contains 65 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

Prefix	IRI
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rdfs	http://www.w3.org/2000/01/rdf-schema#
n11	https://www.metmuseum.org/art/collection/search/
n4	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n12	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n5	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n2	http://data.silknow.org/statement/
n7	http://data.silknow.org/activity/

Statements

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Subject Item: n5:b5ecc20b-d1ed-3f5b-ac31-58d7615a4383
rdf:type: ecrm:E22_Man-Made_Object
rdfs:label: 1527 / 1534, Florence
rdfs:comment: Born in the stone-working town Settignano and trained by the great architect Antonio da Sangallo (the younger), Simone Mosca worked with leading artists as a sculptor of architectural ornament. This fountain was carved along with a chimneypiece for the Palazzo Fossombroni in Arezzo, of a favored local stone, pietra serena. It vacillates delightfully between architecture and sculpture, striking a balance among the bases, columns, and entablature, on one hand, and the masks, scallops, and vegetal motifs on the other. In these same years, Mosca executed decoration for Michelangelo in the Medici Chapel; the subtle push and pull of surfaces across the fountain show Mosca's grasp of Michelangelo's intentions.
owl:sameAs: n11:205351
dc:identifier: 1971.158.1
ecrm:P3_has_note: Born in the stone-working town Settignano and trained by the great architect Antonio da Sangallo (the younger), Simone Mosca worked with leading artists as a sculptor of architectural ornament. This fountain was carved along with a chimneypiece for the Palazzo Fossombroni in Arezzo, of a favored local stone, pietra serena. It vacillates delightfully between architecture and sculpture, striking a balance among the bases, columns, and entablature, on one hand, and the masks, scallops, and vegetal motifs on the other. In these same years, Mosca executed decoration for Michelangelo in the Medici Chapel; the subtle push and pull of surfaces across the fountain show Mosca's grasp of Michelangelo's intentions.
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ecrm:P102_has_title: 1527 / 1534, Florence

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