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Namespace Prefixes

PrefixIRI
n8http://data.silknow.org/object/b11783c6-d76d-3412-b28b-9a07f0277f1f/dimension/
dchttp://purl.org/dc/elements/1.1/
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n13https://www.metmuseum.org/art/collection/search/
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silkhttp://data.silknow.org/ontology/
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n2http://data.silknow.org/statement/
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Statements

Subject Item
n2:d4155832-5ecc-5393-900f-0cd50eef3e20
rdf:type
rdf:Statement
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ecrm:P65_shows_visual_item
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n7:743
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0.8103
Subject Item
n2:df36f166-9f5e-57da-af74-5b793ffb4128
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
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n7:743
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Subject Item
n3:b11783c6-d76d-3412-b28b-9a07f0277f1f
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ecrm:E22_Man-Made_Object
rdfs:label
1595, Alsace
rdfs:comment
With subtlety and dexterity, this tapestry's weavers- who apparently used the monograms AR and ICM- borrowed, enlarged, reversed, and added color to Albrecht Dürer’s design for the woodcut of Christ washing the disciples’ feet in his 1511 Small Passion series.This panel is part of a group of similarly sized scenes from the New Testament, woven across more than two decades, all closely based upon printed prototypes by Hans Baldung Grien, Hans Schäufelein, Martin Schongauer and Hans Wechtlin, as well as by Dürer. Together with other surviving tapestry panels now in the Museum Haus Löwenberg in Gengenbach and spread across private collections, these small, captioned Biblical scenes were probably made on speculation for sale to Protestant individuals and religious institutions in the Strasburg area around the turn of the seventeenth century.
owl:sameAs
n13:219369
dc:identifier
11.148.3
ecrm:P3_has_note
With subtlety and dexterity, this tapestry's weavers- who apparently used the monograms AR and ICM- borrowed, enlarged, reversed, and added color to Albrecht Dürer’s design for the woodcut of Christ washing the disciples’ feet in his 1511 Small Passion series.This panel is part of a group of similarly sized scenes from the New Testament, woven across more than two decades, all closely based upon printed prototypes by Hans Baldung Grien, Hans Schäufelein, Martin Schongauer and Hans Wechtlin, as well as by Dürer. Together with other surviving tapestry panels now in the Museum Haus Löwenberg in Gengenbach and spread across private collections, these small, captioned Biblical scenes were probably made on speculation for sale to Protestant individuals and religious institutions in the Strasburg area around the turn of the seventeenth century.
ecrm:P43_has_dimension
n8:2 n8:1
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n7:743
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n11:5bb2ce4d-a1c2-3ac7-b4e2-691d97cdbf32 n11:c786e8b7-efaa-33fd-bc64-c1d072428eca
ecrm:P102_has_title
1595, Alsace