This HTML5 document contains 15 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

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n7	https://www.metmuseum.org/art/collection/search/
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ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
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n4	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n2	http://data.silknow.org/statement/
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Statements

Subject Item

n2:57b54f70-f6a2-5439-9acd-336cd375235f

rdf:type

rdf:Statement

rdf:predicate

ecrm:P65_shows_visual_item

rdf:object

n3:744

rdf:subject

n4:ac91a1ca-50d3-315e-9387-8e98eac6e2ba

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n12:57b54f70-f6a2-5439-9acd-336cd375235f

silk:L18

0.49520000815391540527

Subject Item

n4:ac91a1ca-50d3-315e-9387-8e98eac6e2ba

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ecrm:E22_Man-Made_Object

rdfs:label

1726 / 1775, Rome

rdfs:comment

This tapestry is not a fragment, but is instead a small, devotional work. The representation is based on a painted prototype by Guido Reni, of which the most important iteration is in Rome’s Galleria Nazionale d’Arte Antica (Palazzo Corsini), perpetuated in many derivative paintings. The tapestry is attributed to weavers working in Rome at the San Michele manufactory, which had been founded in 1710 by Pope Clement XI to complement the wool and dyeing workshops at the orphanage of San Michele a Ripa. It is part of a large group of technically proficient tapestries, many made as diplomatic gifts, modelled after paintings in the Vatican collection; with the exception of a handful of more sophisticated tapestry series (like Gerusalemme Liberata, four pieces of which are also in The Met’s collection), these woven copies comprised the main activity of the San Michele weavers, alongside repair and restoration of older northern European tapestries in the papal collection.

owl:sameAs

n7:212584

dc:identifier

88.3.8

ecrm:P3_has_note

This tapestry is not a fragment, but is instead a small, devotional work. The representation is based on a painted prototype by Guido Reni, of which the most important iteration is in Rome’s Galleria Nazionale d’Arte Antica (Palazzo Corsini), perpetuated in many derivative paintings. The tapestry is attributed to weavers working in Rome at the San Michele manufactory, which had been founded in 1710 by Pope Clement XI to complement the wool and dyeing workshops at the orphanage of San Michele a Ripa. It is part of a large group of technically proficient tapestries, many made as diplomatic gifts, modelled after paintings in the Vatican collection; with the exception of a handful of more sophisticated tapestry series (like Gerusalemme Liberata, four pieces of which are also in The Met’s collection), these woven copies comprised the main activity of the San Michele weavers, alongside repair and restoration of older northern European tapestries in the papal collection.

ecrm:P65_shows_visual_item

n3:744

ecrm:P138i_has_representation

n9:a7fa3464-f0dc-3a26-948b-f6991b0a9a45

ecrm:P102_has_title

1726 / 1775, Rome