This HTML5 document contains 15 embedded RDF statements represented using HTML+Microdata notation.

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Statements

Subject Item
n2:9c85111b-712d-5b0b-98aa-560d12fe1531
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rdf:Statement
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ecrm:P65_shows_visual_item
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n3:743
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n7:a70edbd9-db90-3dd5-935f-253abf3ab9ce
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n7:a70edbd9-db90-3dd5-935f-253abf3ab9ce
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designed ca. 1689–93, woven 1732–39, Rome
rdfs:comment
Commissioned by Cardinal Pietro Ottoboni, a great-nephew of Pope Alexander VIII, this was part of a massive series, heroic in scale as well as narrative, of fifteen tapestries depicting the romanticized version of the Christians’ First Crusade into Jerusalem recounted in Tasso’s sixteenth-century epic poem, Gerusalemme Liberata (Jerusalem Delivered).As the crusaders reach the city of Jerusalem, two of the Christian leaders kneel in the foreground, both in Classical armor with garments of red, blue and yellow. The younger man is presumably Godfrey of Bouillon. Other mounted men in gray armor are seen behind. Rising in the background on the right are the walls of Jerusalem.
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n9:187476
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92.1.15
ecrm:P3_has_note
Commissioned by Cardinal Pietro Ottoboni, a great-nephew of Pope Alexander VIII, this was part of a massive series, heroic in scale as well as narrative, of fifteen tapestries depicting the romanticized version of the Christians’ First Crusade into Jerusalem recounted in Tasso’s sixteenth-century epic poem, Gerusalemme Liberata (Jerusalem Delivered).As the crusaders reach the city of Jerusalem, two of the Christian leaders kneel in the foreground, both in Classical armor with garments of red, blue and yellow. The younger man is presumably Godfrey of Bouillon. Other mounted men in gray armor are seen behind. Rising in the background on the right are the walls of Jerusalem.
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n3:743
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n12:8ecd11bb-e4c7-37e7-baa0-64ac91c361eb
ecrm:P102_has_title
designed ca. 1689–93, woven 1732–39, Rome