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Namespace Prefixes

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Statements

Subject Item

n6:154fcd49-947a-5900-9b24-17d984f5a2b7

rdf:type

rdf:Statement

rdf:predicate

ecrm:P65_shows_visual_item

rdf:object

n5:743

rdf:subject

n2:a3e7f3c6-c7da-3ede-bd18-a5a306dc6d1f

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n10:154fcd49-947a-5900-9b24-17d984f5a2b7

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0.67879998683929443359

Subject Item

n2:a3e7f3c6-c7da-3ede-bd18-a5a306dc6d1f

rdf:type

ecrm:E22_Man-Made_Object

rdfs:label

designed before 1645, woven ca. 1645–75, Mortlake

rdfs:comment

This tapestry is one from a nine-piece series known as the Hunters’ Chase. Curiously-enough, given its secular subject-matter, the original edition was commissioned by the Dutch Church in London, in 1645. Francis Clein designed four of the pieces in the series from scratch; the other five, including News of the Stag, were based on existing tapestry designs by the great 16th-century artist Bernard van Orley for his influential, Brussels-woven Hunts of Maximilian. Hunters’ Chase proved incredibly popular for Mortlake, resulting in much-needed commissions for the floundering manufactory: at least 8 different re-editions were woven during the following decades, including that of which this News of the Stag was part.For more info see Edith Standen, European post-medieval tapestries and related hangings in The Metropolitan Museum of Art, New York, 1985 (vol.2, cat.125) and Wendy Hefford in Tapestry in the Baroque: Threads of Splendor, MMA exh.cat. 2007 (p.182).

owl:sameAs

n14:228717

dc:identifier

57.127

ecrm:P3_has_note

This tapestry is one from a nine-piece series known as the Hunters’ Chase. Curiously-enough, given its secular subject-matter, the original edition was commissioned by the Dutch Church in London, in 1645. Francis Clein designed four of the pieces in the series from scratch; the other five, including News of the Stag, were based on existing tapestry designs by the great 16th-century artist Bernard van Orley for his influential, Brussels-woven Hunts of Maximilian. Hunters’ Chase proved incredibly popular for Mortlake, resulting in much-needed commissions for the floundering manufactory: at least 8 different re-editions were woven during the following decades, including that of which this News of the Stag was part.For more info see Edith Standen, European post-medieval tapestries and related hangings in The Metropolitan Museum of Art, New York, 1985 (vol.2, cat.125) and Wendy Hefford in Tapestry in the Baroque: Threads of Splendor, MMA exh.cat. 2007 (p.182).

ecrm:P43_has_dimension

n12:2 n12:1

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n5:743

ecrm:P138i_has_representation

n8:fa102c0c-72c3-3c00-b229-f83e3765a2fb

ecrm:P102_has_title

designed before 1645, woven ca. 1645–75, Mortlake