HTML Microdata document

This HTML5 document contains 30 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n13	https://www.metmuseum.org/art/collection/search/
n4	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n10	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n6	http://data.silknow.org/statement/
n8	http://data.silknow.org/activity/

Statements

Subject Item: n6:1751a23f-cc79-5e8f-a874-8fb0bcd31299
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n4:743
rdf:subject: n2:98f7831b-45db-3f25-9e52-285c9c0afd74
prov:wasGeneratedBy: n8:1751a23f-cc79-5e8f-a874-8fb0bcd31299
silk:L18: 0.50870001316070556641

Subject Item: n6:26b5cc60-1c7f-5dc9-b75b-cfe72a3273d5
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n4:744
rdf:subject: n2:98f7831b-45db-3f25-9e52-285c9c0afd74
prov:wasGeneratedBy: n8:26b5cc60-1c7f-5dc9-b75b-cfe72a3273d5
silk:L18: 0.52649998664855957031

Subject Item: n6:74375c2d-559d-5861-9155-b00f95499856
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n4:743
rdf:subject: n2:98f7831b-45db-3f25-9e52-285c9c0afd74
prov:wasGeneratedBy: n8:74375c2d-559d-5861-9155-b00f95499856
silk:L18: 0.45780000090599060059

Subject Item: n2:98f7831b-45db-3f25-9e52-285c9c0afd74
rdf:type: ecrm:E22_Man-Made_Object
rdfs:label: 1878~ / 1881~, United Kingdom
rdfs:comment: In his long and varied career, Christopher Dresser was an ornamentalist, a lecturer in botany, and a designer of silver, ceramics, glass, furniture, and textile patterns. Like his contemporary William Morris (1834–1896), he believed that it took an artist, not just a craftsman, to create good design. However, unlike Morris, who shunned industrial production, Dresser had his designs manufactured by firms scattered between London and Glasgow. Although this spoon holder has not been traced to a particular design by Dresser, it is typical of the streamlined models produced for him by Hukin & Heath.Like much of Dresser's output for Hukin & Heath, as well as for Elkington's and James Dixon & Sons, other silversmithing and electroplating firms, the spoon holder (spoon warmer or egg coddler) reflects Dresser's penchant for Japanese metalwork. The simple form with applied legs and feet expresses an economy in manufacture, and the modest material adheres to Dresser's desire to produce well-designed, affordable objects. The straight ebony handle and "crow's feet," elements that Dresser frequently employed, reflect his dependence upon Japanese prototypes for aesthetic direction.
owl:sameAs: n13:207754
dc:identifier: 1988.164
ecrm:P3_has_note: In his long and varied career, Christopher Dresser was an ornamentalist, a lecturer in botany, and a designer of silver, ceramics, glass, furniture, and textile patterns. Like his contemporary William Morris (1834–1896), he believed that it took an artist, not just a craftsman, to create good design. However, unlike Morris, who shunned industrial production, Dresser had his designs manufactured by firms scattered between London and Glasgow. Although this spoon holder has not been traced to a particular design by Dresser, it is typical of the streamlined models produced for him by Hukin & Heath.Like much of Dresser's output for Hukin & Heath, as well as for Elkington's and James Dixon & Sons, other silversmithing and electroplating firms, the spoon holder (spoon warmer or egg coddler) reflects Dresser's penchant for Japanese metalwork. The simple form with applied legs and feet expresses an economy in manufacture, and the modest material adheres to Dresser's desire to produce well-designed, affordable objects. The straight ebony handle and "crow's feet," elements that Dresser frequently employed, reflect his dependence upon Japanese prototypes for aesthetic direction.
ecrm:P65_shows_visual_item: n4:744 n4:743
ecrm:P138i_has_representation: n10:32193dfb-a7f1-3baa-b390-c76fa70308cc n10:7016620b-5eb8-30fc-b014-8801207a4588 n10:eb638dad-e159-3892-be3c-254e1bfa6656
ecrm:P102_has_title: 1878~ / 1881~, United Kingdom