HTML Microdata document

This HTML5 document contains 44 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

Prefix	IRI
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rdfs	http://www.w3.org/2000/01/rdf-schema#
n13	https://www.metmuseum.org/art/collection/search/
n10	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n11	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n3	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n2	http://data.silknow.org/statement/
n9	http://data.silknow.org/activity/

Statements

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Subject Item: n3:8e37e2e2-75e0-3676-8863-4bc30a0ac555
rdf:type: ecrm:E22_Man-Made_Object
rdfs:label: 1520~ / 1550~, Portugal
rdfs:comment: The ewer exemplifies the individual interpretation of the Renaissance style in Portugal. Its daring juxtaposition of whimsical, exotic and macabre sculptural details attests to the commanding quality of Portuguese design. By combining the extravagant and the bizarre—fabulous beasts, mythological creatures and all too mortal humans, vanitas symbols of earthly fame, beauty and of inevitable death—it mirrors perfectly the period’s taste for the odd and the unexpected that was a result of the astonishing successes of Portuguese navigators’ voyages of discovery. Very likely a royal commission, the form of the ewer is rooted in the last phase of the Manueline style, named for King Manuel I (1469–1521) that combines details of flamboyant Late Gothic architecture, Italian, as well as Flemish, elements and even references to the decoration of East Indian temples. Among the king's favored diplomatic gifts were white elephants, venerated as divine in Asia, and here alluded to in the stylized handle.
owl:sameAs: n13:239425
dc:identifier: 2013.950
ecrm:P3_has_note: The ewer exemplifies the individual interpretation of the Renaissance style in Portugal. Its daring juxtaposition of whimsical, exotic and macabre sculptural details attests to the commanding quality of Portuguese design. By combining the extravagant and the bizarre—fabulous beasts, mythological creatures and all too mortal humans, vanitas symbols of earthly fame, beauty and of inevitable death—it mirrors perfectly the period’s taste for the odd and the unexpected that was a result of the astonishing successes of Portuguese navigators’ voyages of discovery. Very likely a royal commission, the form of the ewer is rooted in the last phase of the Manueline style, named for King Manuel I (1469–1521) that combines details of flamboyant Late Gothic architecture, Italian, as well as Flemish, elements and even references to the decoration of East Indian temples. Among the king's favored diplomatic gifts were white elephants, venerated as divine in Asia, and here alluded to in the stylized handle.
ecrm:P65_shows_visual_item: n10:743 n10:744
ecrm:P138i_has_representation: n11:5c422f27-c23b-3d63-8c13-7a0ec0e1d53b n11:926b7875-9a2b-31ce-955d-03db541d8c95 n11:b788d83a-97c8-326c-96d4-d855ddb36efd n11:e1c3980f-9a0a-3207-900a-05186513f746 n11:e95c7de5-d213-34fc-8bce-128308d9fbe5
ecrm:P102_has_title: 1520~ / 1550~, Portugal