Correspondence from Dr Johanna Diehl in 1958 in departmental file notes the relationship between the design of this tapestry and two paintings, which both probably derive from an original by Dieric Bouts. One is a Resurrection (the Ehningen Altar) now in the Stuttgart Staatsgalerie, the other a Resurrection by Dieric's son Albert, in the Mauritshuis, The Hague.
A similar tapestry is in the Metropolitan Museum of Art, New York : Christ has a slightly different stance, there are variant details in the foliage and the inscription, and different borders. Its accession number is 49.7.118; part of the Somzée collection sold in 1901, it passed into Jules Bache's collection by 1920, from whom the museum received it in 1949. It has a woollen warp, and wefts in wool, silk, silver and gilt metal-wrapped threads, with a warp count of 8 warps per cm. It measures 223 x 237 cm. Attributed to the Southern Netherlands, 1515-1525. Cavallo's catalogue entry for the Metropolitain Museum's tapestry (see references) also discusses the V&A Resurrection in detail.
The border of the V&A's Resurrection tapestry is to be found on two other tapestries with scenes from the Life of Christ : The Holy Family with music-making Angels, owned by the Norton Simon Foundation, and The Nativity and Adoration, in the Virginia Museum of Fine Arts. Aspects of the figures and drapery in these tapestries are related to the Adoration tapestry in the V&A's collection, 1-1889.