This HTML5 document contains 23 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

PrefixIRI
dchttp://purl.org/dc/elements/1.1/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n9https://www.metmuseum.org/art/collection/search/
n12http://data.silknow.org/vocabulary/
silkhttp://data.silknow.org/ontology/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n7http://data.silknow.org/image/
owlhttp://www.w3.org/2002/07/owl#
n2http://data.silknow.org/object/
provhttp://www.w3.org/ns/prov#
xsdhhttp://www.w3.org/2001/XMLSchema#
n6http://data.silknow.org/statement/
n11http://data.silknow.org/activity/

Statements

Subject Item
n6:23607cc8-075a-5a75-8fc5-6a3b91687c4b
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
rdf:object
n12:745
rdf:subject
n2:6c400f20-f58b-3e04-a7b2-b221fe27d98a
prov:wasGeneratedBy
n11:23607cc8-075a-5a75-8fc5-6a3b91687c4b
silk:L18
0.3814
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n6:da7528ff-75c9-562e-ac3c-ed0e4bec30c4
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
rdf:object
n12:744
rdf:subject
n2:6c400f20-f58b-3e04-a7b2-b221fe27d98a
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n11:da7528ff-75c9-562e-ac3c-ed0e4bec30c4
silk:L18
0.5693
Subject Item
n2:6c400f20-f58b-3e04-a7b2-b221fe27d98a
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1530~ / 1540~, Venice
rdfs:comment
Typically Venetian are the punched grounds against which the forms dance on these frieze sections. More sinuously elegant than reliefs by leading Venetian bronze sculptors of the generation active about 1500–1520—Alessandro Leopardi, Vittore Gambello (known as Camelio), and the Master of the Barbarigo Reliefs—the present two (see also Sagittarius, 2004.440.2) may date slightly later but are still informed by High Renaissance standards of expression and orga nization. The band to which they belonged was exceptionally large—on the basis of these two of the zodiac's twelve signs, the original ring has been projected at thirty-two to thirty-eight inches in diameter. Its function can only be surmised. At Sagittarius's top left are faint remains of an inscription, which is mostly filed away. One can discern F. CITA0 (abbreviations formai and anno) and a space for numerals, of which the last may be a two. When first recorded in the mid-nineteenth century, in the fabled Fejérváry-Pulszky collection in Budapest, the fragments were said to be of ancient Roman origin. Working in support of that idea, someone did his best to destroy the inscription's contradictory evidence.
owl:sameAs
n9:231027
dc:identifier
2004.440.1
ecrm:P3_has_note
Typically Venetian are the punched grounds against which the forms dance on these frieze sections. More sinuously elegant than reliefs by leading Venetian bronze sculptors of the generation active about 1500–1520—Alessandro Leopardi, Vittore Gambello (known as Camelio), and the Master of the Barbarigo Reliefs—the present two (see also Sagittarius, 2004.440.2) may date slightly later but are still informed by High Renaissance standards of expression and orga nization. The band to which they belonged was exceptionally large—on the basis of these two of the zodiac's twelve signs, the original ring has been projected at thirty-two to thirty-eight inches in diameter. Its function can only be surmised. At Sagittarius's top left are faint remains of an inscription, which is mostly filed away. One can discern F. CITA0 (abbreviations formai and anno) and a space for numerals, of which the last may be a two. When first recorded in the mid-nineteenth century, in the fabled Fejérváry-Pulszky collection in Budapest, the fragments were said to be of ancient Roman origin. Working in support of that idea, someone did his best to destroy the inscription's contradictory evidence.
ecrm:P65_shows_visual_item
n12:745 n12:744
ecrm:P138i_has_representation
n7:0cb7e502-1350-3ac0-9ed1-d20371ef67a3 n7:dc6da301-1240-3b2b-b292-bd2049966b7f
ecrm:P102_has_title
1530~ / 1540~, Venice