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Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n12	https://www.metmuseum.org/art/collection/search/
n8	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n10	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n4	http://data.silknow.org/statement/
n6	http://data.silknow.org/activity/

Subject Item: n2:637997b5-264c-3897-8443-f0044de0fc20
rdf:type: ecrm:E22_Man-Made_Object
rdfs:label: 1526 / 1575
rdfs:comment: This fragment originally was part of a kaftan back and is created in the distinctive luxury silk fabric technique with silver- or goldcolored threads known in Turkish as seraser and in French as taqueté. In the mid- to late sixteenth century, very eccentric largescale designs were preferred, as they were visible from a distance and favored for parade garments.
owl:sameAs: n12:451095
dc:identifier: 52.20.15
ecrm:P3_has_note: This fragment originally was part of a kaftan back and is created in the distinctive luxury silk fabric technique with silver- or goldcolored threads known in Turkish as seraser and in French as taqueté. In the mid- to late sixteenth century, very eccentric largescale designs were preferred, as they were visible from a distance and favored for parade garments.
ecrm:P65_shows_visual_item: n8:745 n8:743
ecrm:P138i_has_representation: n10:00ab83fb-9214-300c-b4a3-da08623267d2 n10:147de5f5-c91f-3212-a837-b33b02a922ae n10:3bcc71e2-a4db-354d-a88c-7ef44fb4ada7 n10:59154f3e-0065-3c24-b122-6d4b76c9e5c3 n10:73a40c34-a21e-3357-a1f5-63993885e902 n10:94095e19-03b6-3253-92b4-6726ee83ca44 n10:baf5cfe8-41f0-3d5c-bed2-ebfb5c3e7ddb n10:cdf0c89c-2bd7-39ed-bede-70b126eadc5d
ecrm:P102_has_title: 1526 / 1575