This HTML5 document contains 15 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n8	https://www.metmuseum.org/art/collection/search/
n11	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n6	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n4	http://data.silknow.org/statement/
n10	http://data.silknow.org/activity/

Statements

Subject Item

n2:5c437a09-e31f-3772-8391-2b1d7be7f1ac

rdf:type

ecrm:E22_Man-Made_Object

rdfs:label

Nuremberg

rdfs:comment

The technique of forming objects on a lathe, or turning, reached a high degree of complexity in the Renaissance and Baroque eras, when French, Italian, and Central European workshops produced paper-thin hollowed-out shapes from single blocks of ivory. Clerics and noblemen embraced turning as a hobby. Among the rulers who collected masterpieces of turning for their Kunstkammern and practiced the art themselves were the Holy Roman Emperors Maximilian II (r. 1564–76), Rudolf II (r. 1576–1612), and Ferdinand III (r. 1619–37). The eccentric form of this cup exemplifies Mannerist taste in Central Europe, though the most challenging aspect of its creation was concocting the lacy hollows that form the stem and spire.

owl:sameAs

n8:191622

dc:identifier

10.212.2a, b

ecrm:P3_has_note

The technique of forming objects on a lathe, or turning, reached a high degree of complexity in the Renaissance and Baroque eras, when French, Italian, and Central European workshops produced paper-thin hollowed-out shapes from single blocks of ivory. Clerics and noblemen embraced turning as a hobby. Among the rulers who collected masterpieces of turning for their Kunstkammern and practiced the art themselves were the Holy Roman Emperors Maximilian II (r. 1564–76), Rudolf II (r. 1576–1612), and Ferdinand III (r. 1619–37). The eccentric form of this cup exemplifies Mannerist taste in Central Europe, though the most challenging aspect of its creation was concocting the lacy hollows that form the stem and spire.

ecrm:P65_shows_visual_item

n11:743

ecrm:P138i_has_representation

n6:5fd7b037-d0f3-3cbb-b087-058e470073ab

ecrm:P102_has_title

Nuremberg

Subject Item

n4:ed16d815-b97d-5804-b160-19f0c2377289

rdf:type

rdf:Statement

rdf:predicate

ecrm:P65_shows_visual_item

rdf:object

n11:743

rdf:subject

n2:5c437a09-e31f-3772-8391-2b1d7be7f1ac

prov:wasGeneratedBy

n10:ed16d815-b97d-5804-b160-19f0c2377289

silk:L18

0.50880002975463867188