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Namespace Prefixes

PrefixIRI
crmscihttp://www.ics.forth.gr/isl/CRMsci/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n5http://data.silknow.org/object/
xsdhhttp://www.w3.org/2001/XMLSchema#
n2http://data.silknow.org/object/57bb5055-113f-3ed9-b2cc-831a46ba6774/observation/
n6http://data.silknow.org/observation/

Statements

Subject Item
n2:2
rdf:type
crmsci:S4_Observation
ecrm:P3_has_note
From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades.
ecrm:P2_has_type
n6:general-observation
crmsci:O8_observed
n5:57bb5055-113f-3ed9-b2cc-831a46ba6774