This HTML5 document contains 17 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

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n12	https://www.metmuseum.org/art/collection/search/
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silk	http://data.silknow.org/ontology/
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Statements

Subject Item

n7:266f2a25-5900-53ca-9c14-8a95e4d8dcab

rdf:type

rdf:Statement

rdf:predicate

ecrm:P65_shows_visual_item

rdf:object

n4:743

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n2:4af33849-66eb-34ed-8024-127888a23b6c

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n9:266f2a25-5900-53ca-9c14-8a95e4d8dcab

silk:L18

0.4646

Subject Item

n2:4af33849-66eb-34ed-8024-127888a23b6c

rdf:type

ecrm:E22_Man-Made_Object

rdfs:label

1520~ / 1530~, Milan

rdfs:comment

The group echoes the new harmonies that Raphael and his school brought to painting. Suggestive comparisons exist in Raphael-esque Madonnas engraved by Giulio Bonasone and Gian Giacomo Caraglio (who doubled as an engraver of hardstones), but the graceful composition is apparently unique to this piece. The cityscape in the background is executed in intaglio. The irregular chestnut-hued translucent band around the edge of the stone is void, probably because it was meant to be embedded in a gold setting.

owl:sameAs

n12:198265

dc:identifier

38.150.4

ecrm:P3_has_note

The group echoes the new harmonies that Raphael and his school brought to painting. Suggestive comparisons exist in Raphael-esque Madonnas engraved by Giulio Bonasone and Gian Giacomo Caraglio (who doubled as an engraver of hardstones), but the graceful composition is apparently unique to this piece. The cityscape in the background is executed in intaglio. The irregular chestnut-hued translucent band around the edge of the stone is void, probably because it was meant to be embedded in a gold setting.

ecrm:P43_has_dimension

n13:1 n13:2

ecrm:P65_shows_visual_item

n4:743

ecrm:P138i_has_representation

n5:034f59b0-7010-3d76-b2db-a814e66f34a6

ecrm:P102_has_title

1520~ / 1530~, Milan