This HTML5 document contains 25 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

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Statements

Subject Item

n2:7483f32c-2867-5df2-a094-223fd01b8f89

rdf:type

rdf:Statement

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ecrm:P65_shows_visual_item

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n14:744

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n4:49673eec-7318-3492-9a43-0ef36dfed045

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n11:7483f32c-2867-5df2-a094-223fd01b8f89

silk:L18

0.51050001382827758789

Subject Item

n4:49673eec-7318-3492-9a43-0ef36dfed045

rdf:type

ecrm:E22_Man-Made_Object

rdfs:label

1852-05-23, Paris

rdfs:comment

'American and European Art and Design 1800-1900' Laborious copying of paintings formed a large part of the new work undertaken at the Gobelins in the nineteenth century. Napoleon III gave the tapestry to the South Kensington Museum (as the Victoria & Albert Museum was then called) in recognition of the gracious welcome and assistance given by the officals of the Museum to the French Jury at the Universal Exhibition of 1862 in London. [1987-2006] Tapestry, woven in wool and silk, after a painting by Raphael depicting the Holy Family. Tapestry, after a painting of the Holy Family by Raphael; principal weaver Adolphe Margarita; made at the Gobelins in Paris, 23/05/1852-06/12/1856 Napoleon III gave this tapestry to the South Kensington Museum (as the Victoria & Albert Museum was then called) in recognition of the gracious welcome and assistance given by the officials of the Museum to the French Jury at the Universal Exhibition of 1862 in London. Laborious copying of paintings like Raphael's Holy Family, which this tapestry is after, formed a large part of the new work undertaken at the Gobelins tapestry manufactory in the nineteenth century. Laborious copying of paintings formed a large part of the new work undertaken at the Gobelins in the nineteenth century.

owl:sameAs

n13:O124162

dc:identifier

7926-1862

ecrm:P3_has_note

Napoleon III gave this tapestry to the South Kensington Museum (as the Victoria & Albert Museum was then called) in recognition of the gracious welcome and assistance given by the officials of the Museum to the French Jury at the Universal Exhibition of 1862 in London. Laborious copying of paintings like Raphael's Holy Family, which this tapestry is after, formed a large part of the new work undertaken at the Gobelins tapestry manufactory in the nineteenth century. Tapestry, after a painting of the Holy Family by Raphael; principal weaver Adolphe Margarita; made at the Gobelins in Paris, 23/05/1852-06/12/1856 Laborious copying of paintings formed a large part of the new work undertaken at the Gobelins in the nineteenth century. 'American and European Art and Design 1800-1900' Laborious copying of paintings formed a large part of the new work undertaken at the Gobelins in the nineteenth century. Napoleon III gave the tapestry to the South Kensington Museum (as the Victoria & Albert Museum was then called) in recognition of the gracious welcome and assistance given by the officals of the Museum to the French Jury at the Universal Exhibition of 1862 in London. [1987-2006] Tapestry, woven in wool and silk, after a painting by Raphael depicting the Holy Family.

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n7:2 n7:1

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n14:744

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n8:8b11f292-a091-3425-8d66-c12559ce27c2

ecrm:P102_has_title

1852-05-23, Paris