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Namespace Prefixes

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Statements

Subject Item
n5:38705f88-7a35-5a31-9d4c-034111cde279
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
rdf:object
n10:743
rdf:subject
n2:47de6c7d-6c3e-3050-aec4-5aced9c0788d
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n9:38705f88-7a35-5a31-9d4c-034111cde279
silk:L18
0.59200000762939453125
Subject Item
n2:47de6c7d-6c3e-3050-aec4-5aced9c0788d
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1770, London
rdfs:comment
There must have been a demand from collectors for Bartolozzi subjects printed on silk, for Francesco Bartolozzi, is the printmaker whose designs are most frequently encountered in this form. Prints on silk were always aimed at a niche market, and their fragility has made them especially rare today. This may be because prints on silk tended to be framed and hung on the wall. Thus they were exposed to the damaging effects of light. Allegory of Spring by Francesco Bartolozzi ((1727-1815), stipple engraving printed on silk (impression printed in red) stipple engraving print on silk
owl:sameAs
n12:O134160
dc:identifier
E.1105-2002
ecrm:P3_has_note
Allegory of Spring by Francesco Bartolozzi ((1727-1815), stipple engraving printed on silk (impression printed in red) There must have been a demand from collectors for Bartolozzi subjects printed on silk, for Francesco Bartolozzi, is the printmaker whose designs are most frequently encountered in this form. Prints on silk were always aimed at a niche market, and their fragility has made them especially rare today. This may be because prints on silk tended to be framed and hung on the wall. Thus they were exposed to the damaging effects of light. stipple engraving print on silk
ecrm:P43_has_dimension
n14:1 n14:2
ecrm:P65_shows_visual_item
n10:743
ecrm:P138i_has_representation
n13:9b550504-bc3f-3f1c-ac38-bac45237e008
ecrm:P102_has_title
1770, London