This HTML5 document contains 24 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n13	https://www.metmuseum.org/art/collection/search/
n6	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n11	http://data.silknow.org/image/
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n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n4	http://data.silknow.org/statement/
n8	http://data.silknow.org/activity/

Statements

Subject Item

n4:36b70d32-bc73-5e3e-ac8d-2327a91cc53c

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rdf:Statement

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ecrm:P65_shows_visual_item

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n6:743

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n2:334c3a7a-fa9c-3433-a563-1e58a7d7e3db

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n8:36b70d32-bc73-5e3e-ac8d-2327a91cc53c

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0.85629999637603759766

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n4:1941acef-f6aa-5b31-9610-c6ca631bae66

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n2:334c3a7a-fa9c-3433-a563-1e58a7d7e3db

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ecrm:E22_Man-Made_Object

rdfs:label

designed 1896

rdfs:comment

When he applied Arts and Crafts principles to wallpaper production, William Morris initiated a revival of the material in England. "Compton" was produced in 1896 for the house of Laurence Hodson, near Wolverhampton. Once believed to be Morris's last design, it is now recognized as the work of John Dearle, who managed Morris & Company's block-printing operations at Merton Abbey and succeeded Morris as director. The pattern is, nevertheless, a definitive example of the company style. Tulips and poppies are woven into a rich, flowing pattern inspired by, but not slavishly adherent to, natural models. The scale of the flowers indicates that the paper was intended for a large, ceremonial room, and the coloring is delicate despite the use of chemical dyes.

owl:sameAs

n13:367803

dc:identifier

23.163.4e

ecrm:P3_has_note

When he applied Arts and Crafts principles to wallpaper production, William Morris initiated a revival of the material in England. "Compton" was produced in 1896 for the house of Laurence Hodson, near Wolverhampton. Once believed to be Morris's last design, it is now recognized as the work of John Dearle, who managed Morris & Company's block-printing operations at Merton Abbey and succeeded Morris as director. The pattern is, nevertheless, a definitive example of the company style. Tulips and poppies are woven into a rich, flowing pattern inspired by, but not slavishly adherent to, natural models. The scale of the flowers indicates that the paper was intended for a large, ceremonial room, and the coloring is delicate despite the use of chemical dyes.

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n6:743

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ecrm:P102_has_title

designed 1896