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Namespace Prefixes

Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n6	https://www.metmuseum.org/art/collection/search/
n10	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n8	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n4	http://data.silknow.org/statement/
n13	http://data.silknow.org/activity/
n11	http://data.silknow.org/object/32fda66c-03a6-3b7d-9ec1-6c791ac61e9d/dimension/

Statements

Subject Item: n4:9de6144d-3ff6-5ea2-b8ca-4f9949e54720
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n10:744
rdf:subject: n2:32fda66c-03a6-3b7d-9ec1-6c791ac61e9d
prov:wasGeneratedBy: n13:9de6144d-3ff6-5ea2-b8ca-4f9949e54720
silk:L18: 0.45350000262260437012

Subject Item: n4:fab18345-9ba8-5100-8e38-b3a1b0985985
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n10:743
rdf:subject: n2:32fda66c-03a6-3b7d-9ec1-6c791ac61e9d
prov:wasGeneratedBy: n13:fab18345-9ba8-5100-8e38-b3a1b0985985
silk:L18: 0.77850002050399780273

Subject Item: n4:ba8d24ec-1bb7-515a-a11d-80290547092c
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n10:743
rdf:subject: n2:32fda66c-03a6-3b7d-9ec1-6c791ac61e9d
prov:wasGeneratedBy: n13:ba8d24ec-1bb7-515a-a11d-80290547092c
silk:L18: 0.69599997997283935547

Subject Item: n2:32fda66c-03a6-3b7d-9ec1-6c791ac61e9d
rdf:type: ecrm:E22_Man-Made_Object
rdfs:label: 1801 / 1825, Russia
rdfs:comment: This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg.This piece represents the pinnacle of this type of work wherein overcast stitching covers the entire drawnwork grid, employing numerous colors and elaborate detail fillings. The depiction of the faces on the birds is startlingly real, leaping out of the fanciful motifs. Each bird has its own character with subtle differences in facial details. Further evidence of the high quality and seemingly impossible detail of this embroidery is the overcast stitching on the réseau of the bobbin lace, giving it an identical appearance to the drawnwork mesh of the main panel.
owl:sameAs: n6:158370
dc:identifier: 2009.300.3433
ecrm:P3_has_note: This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg.This piece represents the pinnacle of this type of work wherein overcast stitching covers the entire drawnwork grid, employing numerous colors and elaborate detail fillings. The depiction of the faces on the birds is startlingly real, leaping out of the fanciful motifs. Each bird has its own character with subtle differences in facial details. Further evidence of the high quality and seemingly impossible detail of this embroidery is the overcast stitching on the réseau of the bobbin lace, giving it an identical appearance to the drawnwork mesh of the main panel.
ecrm:P43_has_dimension: n11:1 n11:2
ecrm:P65_shows_visual_item: n10:743 n10:744
ecrm:P138i_has_representation: n8:1d6dce41-a7af-3d4f-a829-d2aefed35bcc n8:b80f2c8d-5ec2-321a-9008-a14a37ca3266 n8:e7d695d0-5248-368c-9428-5d17eeba1c23
ecrm:P102_has_title: 1801 / 1825, Russia