This HTML5 document contains 22 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

PrefixIRI
dchttp://purl.org/dc/elements/1.1/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n11https://www.metmuseum.org/art/collection/search/
n5http://data.silknow.org/vocabulary/
silkhttp://data.silknow.org/ontology/
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n7http://data.silknow.org/object/
xsdhhttp://www.w3.org/2001/XMLSchema#
n2http://data.silknow.org/statement/
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Statements

Subject Item
n2:bc38fdd5-d000-5601-8559-9b674a1be749
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
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n5:743
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n7:3257b35f-bc99-3dc3-ae4b-93db8dd50e18
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n4:bc38fdd5-d000-5601-8559-9b674a1be749
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0.43700000643730163574
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n2:b2093fd3-3eda-5bfe-95b2-ce32a2b6aec6
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rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
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n5:743
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n7:3257b35f-bc99-3dc3-ae4b-93db8dd50e18
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Subject Item
n7:3257b35f-bc99-3dc3-ae4b-93db8dd50e18
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1711~, Beauvais
rdfs:comment
Presenting a statue and musician within a fanciful architectural setting, this tapestry is from a set known as the Berain Grotesques, in reference to the pervasive stylistic influence of Jean Berain (1640-1711), who may even have provided preliminary sketches. The Classical architecture, flora, fauna and figures against the blank ground was in emulation of the Roman wall-paintings excavated in the subterranean chambers of Nero's palace in Rome (erroneously called 'grotti', hence 'grotesques'.) The light-hearted subject matter and whimsical design contrast with the heavier, ornate style that had characterized French tapestry during the third quarter of the seventeenth century. The series enjoyed immense popularity during the late seventeenth and early eighteenth centuries, and the Beauvais workshop produced many weavings for international clients.
owl:sameAs
n11:206707
dc:identifier
1977.437.4
ecrm:P3_has_note
Presenting a statue and musician within a fanciful architectural setting, this tapestry is from a set known as the Berain Grotesques, in reference to the pervasive stylistic influence of Jean Berain (1640-1711), who may even have provided preliminary sketches. The Classical architecture, flora, fauna and figures against the blank ground was in emulation of the Roman wall-paintings excavated in the subterranean chambers of Nero's palace in Rome (erroneously called 'grotti', hence 'grotesques'.) The light-hearted subject matter and whimsical design contrast with the heavier, ornate style that had characterized French tapestry during the third quarter of the seventeenth century. The series enjoyed immense popularity during the late seventeenth and early eighteenth centuries, and the Beauvais workshop produced many weavings for international clients.
ecrm:P65_shows_visual_item
n5:743
ecrm:P138i_has_representation
n12:052e2fae-d269-37d6-b35b-ff0777c9fc01 n12:21e39c8a-8099-3093-baa5-40c6715b3945
ecrm:P102_has_title
1711~, Beauvais