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Namespace Prefixes

PrefixIRI
crmscihttp://www.ics.forth.gr/isl/CRMsci/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n6http://data.silknow.org/object/
xsdhhttp://www.w3.org/2001/XMLSchema#
n2http://data.silknow.org/object/315e973b-7b5e-3d2d-81c5-18ed4a9141f8/observation/
n5http://data.silknow.org/observation/

Statements

Subject Item
n2:3
rdf:type
crmsci:S4_Observation
ecrm:P3_has_note
Traditional Cretan embroidery is often very highly coloured and uses a variety of stitching techniques. Sometimes patterns were drawn freehand onto the fabric, but they were also worked out by counting the threads in the fabric. Embroiderers embellished textiles used for church decorations, pillows, valances and hems of dresses using designs drawn from the rich mythology of Ancient Crete and the Minoan, Byzantine, and Italian cultures that have all influenced the history of the island. Typically they feature complex floral designs, mermaids, double-headed eagles, winged snakes, and other animals and birds. This embroidered border was collected by Thomas Sandwith, British Consul-General in Crete from 1870 to 1885.
ecrm:P2_has_type
n5:general-observation
crmsci:O8_observed
n6:315e973b-7b5e-3d2d-81c5-18ed4a9141f8