HTML Microdata document

This HTML5 document contains 36 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n13	https://www.metmuseum.org/art/collection/search/
n5	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n11	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n4	http://data.silknow.org/statement/
n7	http://data.silknow.org/activity/

Statements

Subject Item: n4:f85ec04a-f772-5525-8478-6d637e92a8c6
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n5:743
rdf:subject: n2:2dceeb27-2dbc-319a-ba4c-00d4cc3b4087
prov:wasGeneratedBy: n7:f85ec04a-f772-5525-8478-6d637e92a8c6
silk:L18: 0.9821

Subject Item: n4:c32e8644-56e4-5cb8-ab9d-fca7bb869161
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n5:743
rdf:subject: n2:2dceeb27-2dbc-319a-ba4c-00d4cc3b4087
prov:wasGeneratedBy: n7:c32e8644-56e4-5cb8-ab9d-fca7bb869161
silk:L18: 0.9874

Subject Item: n4:6575ffda-acca-5c0c-8722-429e8baff742
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n5:743
rdf:subject: n2:2dceeb27-2dbc-319a-ba4c-00d4cc3b4087
prov:wasGeneratedBy: n7:6575ffda-acca-5c0c-8722-429e8baff742
silk:L18: 0.6559

Subject Item: n4:b61b72ee-a126-5dc6-801e-e3ab6ce0af97
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n5:743
rdf:subject: n2:2dceeb27-2dbc-319a-ba4c-00d4cc3b4087
prov:wasGeneratedBy: n7:b61b72ee-a126-5dc6-801e-e3ab6ce0af97
silk:L18: 0.9869

Subject Item: n2:2dceeb27-2dbc-319a-ba4c-00d4cc3b4087
rdf:type: ecrm:E22_Man-Made_Object
rdfs:label: 1748 / 1752, United Kingdom
rdfs:comment: The first part of the 18th century was a particularly fruitful and distinctive period in the history of British design for the silk weaving industry. Anna Maria Garthwaite (1690–1763) is the designer mostly closely associated with this period due to the survival of her design drawings, now in the Victoria and Albert Museum, London. Though this pattern does not match any of the published Garthwaite designs, it has much in common with her compositions of carefully observed flowers and plants arranged on a pale foundation color. The species illustrated on this silk panel include tulips, roses, chrysanthemums and holly.The floral silks produced in the Spitalfields area of east London during this period provide a provocative comparison with British porcelains of the same period. A set of plates made by the Chelsea Porcelain Manufactory in the 1750s (2016.217–.229) display the same interest in contemporary botanical illustration as do the silk designs. Several silk designers of the first half of the 18th century are known to have studied botany or natural history. In this climate of intellectual curiosity, creators of both porcelain and silk designs found inspiration to create works that are uniquely British.
owl:sameAs: n13:765505
dc:identifier: 2017.712
ecrm:P3_has_note: The first part of the 18th century was a particularly fruitful and distinctive period in the history of British design for the silk weaving industry. Anna Maria Garthwaite (1690–1763) is the designer mostly closely associated with this period due to the survival of her design drawings, now in the Victoria and Albert Museum, London. Though this pattern does not match any of the published Garthwaite designs, it has much in common with her compositions of carefully observed flowers and plants arranged on a pale foundation color. The species illustrated on this silk panel include tulips, roses, chrysanthemums and holly.The floral silks produced in the Spitalfields area of east London during this period provide a provocative comparison with British porcelains of the same period. A set of plates made by the Chelsea Porcelain Manufactory in the 1750s (2016.217–.229) display the same interest in contemporary botanical illustration as do the silk designs. Several silk designers of the first half of the 18th century are known to have studied botany or natural history. In this climate of intellectual curiosity, creators of both porcelain and silk designs found inspiration to create works that are uniquely British.
ecrm:P65_shows_visual_item: n5:743
ecrm:P138i_has_representation: n11:a463cc60-493d-3d4c-b3c9-bc4f17474760 n11:06eec740-5656-3358-854c-ae2f90af24d4 n11:4ada0f89-e008-3c66-a55c-8d569e49f46a n11:7551ad1b-2294-387c-8b21-d41258003fd6
ecrm:P102_has_title: 1748 / 1752, United Kingdom