HTML Microdata document

This HTML5 document contains 36 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n6	https://collections.vam.ac.uk/item/
n11	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
n12	http://data.silknow.org/object/1a8258d2-a39e-363c-8053-bb1e7cfb3c60/dimension/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n13	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n3	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n2	http://data.silknow.org/statement/
n10	http://data.silknow.org/activity/

Statements

Subject Item: n3:1a8258d2-a39e-363c-8053-bb1e7cfb3c60
rdf:type: ecrm:E22_Man-Made_Object
rdfs:label: 1780 / 1820, Kyoto
rdfs:comment: Robe (karaori), polychrome figured silk, with decoration of flower roundels on a lattice ground, Japan, 1780-1820 Nô is the classical theatre of Japan which was codified in the 14th century by the father and son actors Kan'ami and Zeami under the patronage of the Shogun (supreme military leader) Ashikaga Yoshimitsu. Under Yoshimitsu the Zen principles of restraint, understatement, economy of movement and frugality of expression became incorporated into the performance. By the early seventeenth century Noh had become an even more austere and formalised drama reserved almost exclusively for the Tokugawa family, the ruling military elite. This type of robe is called karaori means 'Chinese Weave',although the term came to describe the style of robe itself as much as the technique. The karaori is the basic outer robe worn by a Nôh actor in female roles and the predominant red colour of the robe indicates the character of a young woman. The robe is decorated with roundels of chrysanthemums, peonies and irises in coloured silks on a gold thread lattice pattern over a woven red silk ground. It has three layers of simultaneously woven design: the ground, the background geometric pattern and the top pattern of glossy silk that looks almost like embroidery. Robe for the Nô theatre of polychrome figured silk. 2/1 warp-faced twill ground and two pattern wefts (white silk and gilt paper strip, the latter is bound in a 2/1 weft-faced twill by a proportion of threads taken from the ground warp). The flowers and leaves which are arranged in clusters against a fret-work ground, are brocaded in coloured silks which are unbound both on the face and the back of the textile. The robe is lined with pinky silk. The sleeves are wide and loose, and the body of the robe from chest level widens down to the hem from a series of gores on either side of the centre front.
owl:sameAs: n6:O74805
dc:identifier: T.194-1959
ecrm:P3_has_note: Robe (karaori), polychrome figured silk, with decoration of flower roundels on a lattice ground, Japan, 1780-1820 Robe for the Nô theatre of polychrome figured silk. 2/1 warp-faced twill ground and two pattern wefts (white silk and gilt paper strip, the latter is bound in a 2/1 weft-faced twill by a proportion of threads taken from the ground warp). The flowers and leaves which are arranged in clusters against a fret-work ground, are brocaded in coloured silks which are unbound both on the face and the back of the textile. The robe is lined with pinky silk. The sleeves are wide and loose, and the body of the robe from chest level widens down to the hem from a series of gores on either side of the centre front. Nô is the classical theatre of Japan which was codified in the 14th century by the father and son actors Kan'ami and Zeami under the patronage of the Shogun (supreme military leader) Ashikaga Yoshimitsu. Under Yoshimitsu the Zen principles of restraint, understatement, economy of movement and frugality of expression became incorporated into the performance. By the early seventeenth century Noh had become an even more austere and formalised drama reserved almost exclusively for the Tokugawa family, the ruling military elite. This type of robe is called karaori means 'Chinese Weave',although the term came to describe the style of robe itself as much as the technique. The karaori is the basic outer robe worn by a Nôh actor in female roles and the predominant red colour of the robe indicates the character of a young woman. The robe is decorated with roundels of chrysanthemums, peonies and irises in coloured silks on a gold thread lattice pattern over a woven red silk ground. It has three layers of simultaneously woven design: the ground, the background geometric pattern and the top pattern of glossy silk that looks almost like embroidery.
ecrm:P43_has_dimension: n12:2 n12:1
ecrm:P65_shows_visual_item: n11:743 n11:745
ecrm:P138i_has_representation: n13:0af49283-8ed0-3c4d-b24e-1f52d54fb9f9 n13:5e70d818-9e12-3a70-b0c9-2dd46fc62880 n13:97c56090-857a-35c9-8ba0-42d290745d9b
ecrm:P102_has_title: 1780 / 1820, Kyoto

Subject Item: n2:4c3958ef-74d6-5e63-b62c-e489732b7886
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n11:745
rdf:subject: n3:1a8258d2-a39e-363c-8053-bb1e7cfb3c60
prov:wasGeneratedBy: n10:4c3958ef-74d6-5e63-b62c-e489732b7886
silk:L18: 0.60379999876022338867

Subject Item: n2:61f04918-0691-548e-b9c0-50197e16c8f3
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n11:743
rdf:subject: n3:1a8258d2-a39e-363c-8053-bb1e7cfb3c60
prov:wasGeneratedBy: n10:61f04918-0691-548e-b9c0-50197e16c8f3
silk:L18: 0.73000001907348632812

Subject Item: n2:a0453db1-a223-552c-ad6b-2d89598d6fcc
rdf:type: rdf:Statement
rdf:predicate: ecrm:P65_shows_visual_item
rdf:object: n11:743
rdf:subject: n3:1a8258d2-a39e-363c-8053-bb1e7cfb3c60
prov:wasGeneratedBy: n10:a0453db1-a223-552c-ad6b-2d89598d6fcc
silk:L18: 0.72089999914169311523