This HTML5 document contains 21 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n8	https://collections.vam.ac.uk/item/
n5	http://data.silknow.org/object/15c114c9-970d-3808-a2e9-a9678e3c2aed/dimension/
n13	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n10	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n3	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n2	http://data.silknow.org/statement/
n12	http://data.silknow.org/activity/

Statements

Subject Item

n2:4583d34b-9615-5054-8aff-cce4eb40c4b7

rdf:type

rdf:Statement

rdf:predicate

ecrm:P65_shows_visual_item

rdf:object

n13:744

rdf:subject

n3:15c114c9-970d-3808-a2e9-a9678e3c2aed

prov:wasGeneratedBy

n12:4583d34b-9615-5054-8aff-cce4eb40c4b7

silk:L18

0.53509998321533203125

Subject Item

n3:15c114c9-970d-3808-a2e9-a9678e3c2aed

rdf:type

ecrm:E22_Man-Made_Object

rdfs:label

1799, Oxford

rdfs:comment

This silk playbill advertised Mrs. Rebecqui's Benefit night of J. Rebecqui's New Italian and English Fantoccini on Tuesday 19th November 1799 at the Great Room, Holywell, Oxford. The evening featured <i>La Naissance D'Arlequin or The Birth of Harlequin, </i>including 'the great mechanical figure and the hanging and drinking Harlequin'; the 'Turkish' opera by George Colman <i>Blue Beard, or Female Curiosity</i> composed by Michael Kelly, the first act of which featured <i>A Grand Turkish Procession</i> culminating with the 'nuptials' of Abolemique and Fatima. <i> </i>Signor Rebecqui was an Italian puppeteer who we know performed with his fantoccini, or marionettes, in Dublin in the late 18th century. His wife is credited on this silk programme as having made 'the Dresses etc', while J. Rebecqui is credited with the 'Machinery'. It seems curious that Mrs. Rebecqui is enjoying her own Benefit performance for one of her husband's shows, during which she would have received a percentage of the profits, but as a member of the troupe it would of course have been her right. Playbill printed in black ink on a faded cream colour silk, with hand-stitched edges. Silk playbill for Puppet Theatre, advertising Mrs. Rebecqui's Benefit Night for a performance by J. Rebecqui's New Italian and English Fantoccini, featuring La Naissance d'Arlequin; Blue Beard, and a Grand Turkish Procession, 19th November 1799 at the Great Room, Holywell, Oxford. Letterpress on silk, published by R. Slatter, Oxford. George Speaight Punch & Judy Collection.

owl:sameAs

n8:O1160131

dc:identifier

S.1093-2010

ecrm:P3_has_note

Silk playbill for Puppet Theatre, advertising Mrs. Rebecqui's Benefit Night for a performance by J. Rebecqui's New Italian and English Fantoccini, featuring La Naissance d'Arlequin; Blue Beard, and a Grand Turkish Procession, 19th November 1799 at the Great Room, Holywell, Oxford. Letterpress on silk, published by R. Slatter, Oxford. George Speaight Punch & Judy Collection. Playbill printed in black ink on a faded cream colour silk, with hand-stitched edges. This silk playbill advertised Mrs. Rebecqui's Benefit night of J. Rebecqui's New Italian and English Fantoccini on Tuesday 19th November 1799 at the Great Room, Holywell, Oxford. The evening featured <i>La Naissance D'Arlequin or The Birth of Harlequin, </i>including 'the great mechanical figure and the hanging and drinking Harlequin'; the 'Turkish' opera by George Colman <i>Blue Beard, or Female Curiosity</i> composed by Michael Kelly, the first act of which featured <i>A Grand Turkish Procession</i> culminating with the 'nuptials' of Abolemique and Fatima. <i> </i>Signor Rebecqui was an Italian puppeteer who we know performed with his fantoccini, or marionettes, in Dublin in the late 18th century. His wife is credited on this silk programme as having made 'the Dresses etc', while J. Rebecqui is credited with the 'Machinery'. It seems curious that Mrs. Rebecqui is enjoying her own Benefit performance for one of her husband's shows, during which she would have received a percentage of the profits, but as a member of the troupe it would of course have been her right.

ecrm:P43_has_dimension

n5:1 n5:2

ecrm:P65_shows_visual_item

n13:744

ecrm:P138i_has_representation

n10:5ce78eec-f9f6-3b1c-b35c-8913816c1c17

ecrm:P102_has_title

1799, Oxford