This HTML5 document contains 24 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

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n2http://data.silknow.org/statement/
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Statements

Subject Item
n2:d172a423-ed66-5be7-9714-b318b73157b4
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
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n3:743
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n4:14f1e398-0899-3c01-a227-73c4fd5643bf
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rdf:Statement
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n3:743
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Subject Item
n4:14f1e398-0899-3c01-a227-73c4fd5643bf
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
design ca. 1515, woven ca. 1525, Brussels
rdfs:comment
With the crucified Christ anchoring the composition, a host of angels fills a turbulent sky, holding the symbols of the Passion. Below, John the Evangelist strides in from the left; at the right, Mary Magdalene, richly-dressed fitting to the popular perception of her as a reformed courtesan, elegantly crumples forward with hand-wringing grief. Also weeping, the Virgin Mary gazes up at her son, and a third holy woman, possibly Mary of Cleophas, embraces the cross. The painterly detail of the tapestry’s design extends to the minutely observed background landscape, in which the bracketing episodes of the carrying of the cross and the entombment can be glimpsed flanking the central scene. To this the virtuoso tapestry-weavers, clearly at the pinnacle of their profession, have brought a material sumptuousness which would have glimmered in the candlelight and which serve to rank this tapestry amongst the richest survivals of the period.
owl:sameAs
n14:226697
dc:identifier
41.190.136
ecrm:P3_has_note
With the crucified Christ anchoring the composition, a host of angels fills a turbulent sky, holding the symbols of the Passion. Below, John the Evangelist strides in from the left; at the right, Mary Magdalene, richly-dressed fitting to the popular perception of her as a reformed courtesan, elegantly crumples forward with hand-wringing grief. Also weeping, the Virgin Mary gazes up at her son, and a third holy woman, possibly Mary of Cleophas, embraces the cross. The painterly detail of the tapestry’s design extends to the minutely observed background landscape, in which the bracketing episodes of the carrying of the cross and the entombment can be glimpsed flanking the central scene. To this the virtuoso tapestry-weavers, clearly at the pinnacle of their profession, have brought a material sumptuousness which would have glimmered in the candlelight and which serve to rank this tapestry amongst the richest survivals of the period.
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ecrm:P102_has_title
design ca. 1515, woven ca. 1525, Brussels