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Namespace Prefixes

PrefixIRI
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Statements

Subject Item
n4:b453d169-d355-5336-b166-8a08f6efabce
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
rdf:object
n9:745
rdf:subject
n2:1303f6fd-c653-3b13-9d8b-ecc9db7d5028
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n13:b453d169-d355-5336-b166-8a08f6efabce
silk:L18
0.65859997272491455078
Subject Item
n2:1303f6fd-c653-3b13-9d8b-ecc9db7d5028
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1860 / 1870, England
rdfs:comment
The parasol was a popular accessory during the 19th and early 20th century, a period when sun tanned skin was highly undesirable. It functioned both as a sunshade and a fashionable accompaniment to dress, distinguishing itself from the umbrella through its infinite and luxurious forms and essentially feminine status. Like the earlier trend for fans parasols displayed an individual's style and could be used in a coquettish ritual to hide the modest bearer from unwanted glances. The Carrickmacross lace on this folding carriage parasol takes its name from the small town in Ireland where the technique originated. Sheer muslin is applied to a net ground, the design is drawn on to the muslin then carefully cut out avoiding the net beneath. This incredibly intricate and skilled method was taught to young girls in convents, its rarity and complexity made Carrickmacross lace extremely desirable during this period often reserved for high status use such as in wedding veils. Lace parasol covers were at their most popular in the 1860s and women's' magazines were full of patterns and thrifty recycling ideas for those who struggled to afford the material. Parasol of lace and ivory, England, 1860-1870. Parasol of carickmacross lace and cream silk lining, with crook folding ivory stick.
owl:sameAs
n11:O359186
dc:identifier
T.193-1973
ecrm:P3_has_note
The parasol was a popular accessory during the 19th and early 20th century, a period when sun tanned skin was highly undesirable. It functioned both as a sunshade and a fashionable accompaniment to dress, distinguishing itself from the umbrella through its infinite and luxurious forms and essentially feminine status. Like the earlier trend for fans parasols displayed an individual's style and could be used in a coquettish ritual to hide the modest bearer from unwanted glances. The Carrickmacross lace on this folding carriage parasol takes its name from the small town in Ireland where the technique originated. Sheer muslin is applied to a net ground, the design is drawn on to the muslin then carefully cut out avoiding the net beneath. This incredibly intricate and skilled method was taught to young girls in convents, its rarity and complexity made Carrickmacross lace extremely desirable during this period often reserved for high status use such as in wedding veils. Lace parasol covers were at their most popular in the 1860s and women's' magazines were full of patterns and thrifty recycling ideas for those who struggled to afford the material. Parasol of carickmacross lace and cream silk lining, with crook folding ivory stick. Parasol of lace and ivory, England, 1860-1870.
ecrm:P43_has_dimension
n7:3 n7:4 n7:1 n7:2
ecrm:P65_shows_visual_item
n9:745
ecrm:P138i_has_representation
n14:fc781aa5-bdee-3f67-b03e-3f83f748cacc
ecrm:P102_has_title
1860 / 1870, England