This HTML5 document contains 24 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

PrefixIRI
dchttp://purl.org/dc/elements/1.1/
n8https://collections.vam.ac.uk/item/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n11http://data.silknow.org/vocabulary/
silkhttp://data.silknow.org/ontology/
ecrmhttp://erlangen-crm.org/current/
n10http://data.silknow.org/object/12a824ed-7815-3ab4-ab87-bf8c2489384f/dimension/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n9http://data.silknow.org/image/
owlhttp://www.w3.org/2002/07/owl#
n2http://data.silknow.org/object/
provhttp://www.w3.org/ns/prov#
xsdhhttp://www.w3.org/2001/XMLSchema#
n5http://data.silknow.org/statement/
n14http://data.silknow.org/activity/

Statements

Subject Item
n2:12a824ed-7815-3ab4-ab87-bf8c2489384f
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1900~, England
rdfs:comment
Embroidered wall hanging worked in silks on a background of green woven silk damask. The hanging has wide borders (16 inches or 40.5 cm) to left and right. The central motif shows an orange tree around which winds a red acanthus leaf on which perch two pigeons. Two smaller flowering trees are seen in the foreground, the various dispersed bunches of the growing flowers include tulips, bluebells and forget-me-nots. Subsidiary trailing plants include roses, a thistle and others with large-headed exotic blooms. Worked mostly in darning stitch with stem stitch used as outlines on some blooms. Buttonhole filling, laid and couched work, satin stitches and French knots are also used. The birds are worked through an additional backing cotton. There is a strip of tape with rings at the top of the hanging which was originally turned under. Originally nailed to a stretcher, the embroidery still shows nail-holes around the edge. Unlined. The ground fabric is a William Morris pattern called 'The Oak'. Bought from Morris & Co. as a kit, this panel was a very ambitious project. The finely worked result shows the high standard of amateur needlework among middle-class women at the time. Mrs Battye was a good client of Morris & Co.. A panel incorporating the arms of the Battye family, drawn in the Morris Workshops and worked by her, is now in the William Morris Gallery, Walthamstow. Embroidered wall hanging 'The Pigeon' worked in silks on a background of silk damask, designed by John Henry Dearle, ca. 1895, and embroidered by Mrs Battye, ca. 1898-1900, made by Morris & Co., England
owl:sameAs
n8:O89398
dc:identifier
T.369A-1982
ecrm:P3_has_note
Embroidered wall hanging 'The Pigeon' worked in silks on a background of silk damask, designed by John Henry Dearle, ca. 1895, and embroidered by Mrs Battye, ca. 1898-1900, made by Morris & Co., England Embroidered wall hanging worked in silks on a background of green woven silk damask. The hanging has wide borders (16 inches or 40.5 cm) to left and right. The central motif shows an orange tree around which winds a red acanthus leaf on which perch two pigeons. Two smaller flowering trees are seen in the foreground, the various dispersed bunches of the growing flowers include tulips, bluebells and forget-me-nots. Subsidiary trailing plants include roses, a thistle and others with large-headed exotic blooms. Worked mostly in darning stitch with stem stitch used as outlines on some blooms. Buttonhole filling, laid and couched work, satin stitches and French knots are also used. The birds are worked through an additional backing cotton. There is a strip of tape with rings at the top of the hanging which was originally turned under. Originally nailed to a stretcher, the embroidery still shows nail-holes around the edge. Unlined. The ground fabric is a William Morris pattern called 'The Oak'. Bought from Morris & Co. as a kit, this panel was a very ambitious project. The finely worked result shows the high standard of amateur needlework among middle-class women at the time. Mrs Battye was a good client of Morris & Co.. A panel incorporating the arms of the Battye family, drawn in the Morris Workshops and worked by her, is now in the William Morris Gallery, Walthamstow.
ecrm:P43_has_dimension
n10:4 n10:5 n10:2 n10:3 n10:1
ecrm:P65_shows_visual_item
n11:743
ecrm:P138i_has_representation
n9:d49880dd-3789-3f4d-8c7b-64ce7e03ddd3
ecrm:P102_has_title
1900~, England
Subject Item
n5:405f6304-bf03-5756-bde7-a324589066bd
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
rdf:object
n11:743
rdf:subject
n2:12a824ed-7815-3ab4-ab87-bf8c2489384f
prov:wasGeneratedBy
n14:405f6304-bf03-5756-bde7-a324589066bd
silk:L18
0.63800001144409179688