This HTML5 document contains 45 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

PrefixIRI
n10http://data.silknow.org/object/0f2efa9a-0d2d-3755-836e-937254d3098f/dimension/
dchttp://purl.org/dc/elements/1.1/
n14https://collections.vam.ac.uk/item/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n11http://data.silknow.org/vocabulary/
silkhttp://data.silknow.org/ontology/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n12http://data.silknow.org/image/
owlhttp://www.w3.org/2002/07/owl#
n4http://data.silknow.org/object/
provhttp://www.w3.org/ns/prov#
xsdhhttp://www.w3.org/2001/XMLSchema#
n2http://data.silknow.org/statement/
n8http://data.silknow.org/activity/

Statements

Subject Item
n2:ae77af6b-ffaf-5f91-b5d9-bc4fab047585
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
rdf:object
n11:743
rdf:subject
n4:0f2efa9a-0d2d-3755-836e-937254d3098f
prov:wasGeneratedBy
n8:ae77af6b-ffaf-5f91-b5d9-bc4fab047585
silk:L18
0.5683
Subject Item
n2:9084c56f-94c3-58dd-afcd-f92b033a512a
rdf:type
rdf:Statement
rdf:predicate
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n11:743
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Subject Item
n4:0f2efa9a-0d2d-3755-836e-937254d3098f
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1750 / 1800, Japan
rdfs:comment
The second half of the 18th century saw a dramatic change in kimono design. Large scale, often singular, motifs gave way to small-scale patterns rhythmically scattered over the whole surface. These were generally executed in freehand paste- resist dyeing (yūzen), sometimes with touches of embroidery. [29/02/2020] The short sleeves of this kimono indicate that it was probably worn by a married woman. The delicate design of flowers, birds and butterflies at the water's edge was created using a freehand method of drawing in paste on the fabric surface, a resist-dyeing technique known as <i>yuzen</i>. Touches of red, gold and green embroidery provide added contrast against the blue ground. Kimono of blue silk crêpe, paste-resist dyed (using the <i>yuzen</i> technique) and embroidered with a design of flowers and leaves in a watery landscape, with birds and butterflies. This design is cream coloured, but parts of it have been emphasised by application of couched silver gilt thread, and coloured floss silks in satin stitches. Some of the leaves have also been slightly painted. The back and front of the kimono each consist of two long panels joined at the centre front and back. A flat collar band extends round the neck from the waist. There is no extra fullness and the hemline is padded with cotton wool in the traditional manner. The sleeves have been left unstitched for a short distance under the arms. The kimono is lined with red silk. Outer kimono (uchikake), plain weave silk crêpe with embroidered and freehand paste-resist dyed (yūzen) decoration, Japan, 1750-1800
owl:sameAs
n14:O126688
dc:identifier
T.64-1954
ecrm:P3_has_note
The short sleeves of this kimono indicate that it was probably worn by a married woman. The delicate design of flowers, birds and butterflies at the water's edge was created using a freehand method of drawing in paste on the fabric surface, a resist-dyeing technique known as <i>yuzen</i>. Touches of red, gold and green embroidery provide added contrast against the blue ground. The second half of the 18th century saw a dramatic change in kimono design. Large scale, often singular, motifs gave way to small-scale patterns rhythmically scattered over the whole surface. These were generally executed in freehand paste- resist dyeing (yūzen), sometimes with touches of embroidery. [29/02/2020] Kimono of blue silk crêpe, paste-resist dyed (using the <i>yuzen</i> technique) and embroidered with a design of flowers and leaves in a watery landscape, with birds and butterflies. This design is cream coloured, but parts of it have been emphasised by application of couched silver gilt thread, and coloured floss silks in satin stitches. Some of the leaves have also been slightly painted. The back and front of the kimono each consist of two long panels joined at the centre front and back. A flat collar band extends round the neck from the waist. There is no extra fullness and the hemline is padded with cotton wool in the traditional manner. The sleeves have been left unstitched for a short distance under the arms. The kimono is lined with red silk. Outer kimono (uchikake), plain weave silk crêpe with embroidered and freehand paste-resist dyed (yūzen) decoration, Japan, 1750-1800
ecrm:P43_has_dimension
n10:1 n10:2
ecrm:P65_shows_visual_item
n11:743 n11:744
ecrm:P138i_has_representation
n12:2f1a94ff-a503-3036-a99e-f14ce99acdbe n12:6a3d5d66-588d-35cd-8ea5-c742013c9996 n12:80ff7314-6414-3931-a541-8330bfbc2dad n12:b3a0ff5f-f1a1-3c68-8abb-3f8442ad9463
ecrm:P102_has_title
1750 / 1800, Japan
Subject Item
n2:a64af59a-faba-507c-a398-8a7036dbc440
rdf:type
rdf:Statement
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ecrm:P65_shows_visual_item
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0.4531