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Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n8	https://www.metmuseum.org/art/collection/search/
n5	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n13	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n3	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n2	http://data.silknow.org/statement/
n10	http://data.silknow.org/activity/

Subject Item: n3:0f0d086f-8ec3-35d7-9ac2-9897031b8ca7
rdf:type: ecrm:E22_Man-Made_Object
rdfs:label: 1601 / 1650, Spain
rdfs:comment: Much of our knowledge of jewelry fashions is derived from contemporary portraits. Although chains of solid gold were especially prized, an enameled example very much like this one, worn diagonally across the chest, appears in the portrait of a young man dating from the early seventeenth century. The enameling technique is similar to that of the brass veneras also in this case.
owl:sameAs: n8:198731
dc:identifier: 41.100.24
ecrm:P3_has_note: Much of our knowledge of jewelry fashions is derived from contemporary portraits. Although chains of solid gold were especially prized, an enameled example very much like this one, worn diagonally across the chest, appears in the portrait of a young man dating from the early seventeenth century. The enameling technique is similar to that of the brass veneras also in this case.
ecrm:P65_shows_visual_item: n5:745 n5:743
ecrm:P138i_has_representation: n13:6841ca5c-b456-3e73-8ac2-d481c7f909fb n13:a67d0da4-7a51-3a0e-8d84-1f0d2611b72d
ecrm:P102_has_title: 1601 / 1650, Spain