This HTML5 document contains 22 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

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rdfs	http://www.w3.org/2000/01/rdf-schema#
n9	https://www.metmuseum.org/art/collection/search/
n10	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n7	http://data.silknow.org/image/
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prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n2	http://data.silknow.org/statement/
n5	http://data.silknow.org/activity/

Statements

Subject Item

n2:cb56a32c-ffdf-5bd4-90ff-0eae58342b82

rdf:type

rdf:Statement

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ecrm:P65_shows_visual_item

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n10:743

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n3:0edbe097-417c-3213-8030-0310fc9e9671

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0.6008999943733215332

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n2:122382a9-b913-5adf-9263-81a37c6a0fa4

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n10:743

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n3:0edbe097-417c-3213-8030-0310fc9e9671

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n5:122382a9-b913-5adf-9263-81a37c6a0fa4

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Subject Item

n3:0edbe097-417c-3213-8030-0310fc9e9671

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ecrm:E22_Man-Made_Object

rdfs:label

1650~ / 1670~, Mortlake

rdfs:comment

This tapestry depicts the gods Apollo and Diana killing the children of Niobe as a punishment for the affront that Niobe had caused their mother, Latona. The set from which this panel derived was known as "The Horses" because the mythological subjects were a thinly veiled pretext to depict a sequence of splendid horses in dynamic action. The designs were created by Francis Cleyn, a native of Rostock who worked at the Danish court before traveling to England in the early 1620s. He was appointed official designer to the Mortlake tapestry works in 1625, and during the following decade provided a sequence of new design series, including "The Horses." Two high-quality weavings of this subject were provided to Charles I before 1637, of which only one fragment survives (Victoria and Albert Museum, London). Following the Civil War, the Mortlake works continued to weave from Cleyn's designs, but these later weavings lacked the quality of materials and skilled craftsmanship that characterized earlier production.This set was woven sometime in the 1650s or 1660s for Henry Mordaunt, second earl of Peterborough, whose arms appear in the upper border, along with those of his wife, Penelope O'Brien.

owl:sameAs

n9:226098

dc:identifier

36.149.1

ecrm:P3_has_note

This tapestry depicts the gods Apollo and Diana killing the children of Niobe as a punishment for the affront that Niobe had caused their mother, Latona. The set from which this panel derived was known as "The Horses" because the mythological subjects were a thinly veiled pretext to depict a sequence of splendid horses in dynamic action. The designs were created by Francis Cleyn, a native of Rostock who worked at the Danish court before traveling to England in the early 1620s. He was appointed official designer to the Mortlake tapestry works in 1625, and during the following decade provided a sequence of new design series, including "The Horses." Two high-quality weavings of this subject were provided to Charles I before 1637, of which only one fragment survives (Victoria and Albert Museum, London). Following the Civil War, the Mortlake works continued to weave from Cleyn's designs, but these later weavings lacked the quality of materials and skilled craftsmanship that characterized earlier production.This set was woven sometime in the 1650s or 1660s for Henry Mordaunt, second earl of Peterborough, whose arms appear in the upper border, along with those of his wife, Penelope O'Brien.

ecrm:P65_shows_visual_item

n10:743

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n7:c24ff5ba-b379-3c77-a0ad-63242b9bc463 n7:4fcc643a-0456-36b8-b086-eb438380cb71

ecrm:P102_has_title

1650~ / 1670~, Mortlake