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This HTML5 document contains 36 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

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rdfs	http://www.w3.org/2000/01/rdf-schema#
n10	https://www.metmuseum.org/art/collection/search/
n7	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n13	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n4	http://data.silknow.org/statement/
n6	http://data.silknow.org/activity/

Statements

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Subject Item: n2:0851b511-8ea8-3669-af4a-37c014cf48ff
rdf:type: ecrm:E22_Man-Made_Object
rdfs:label: 1745~ / 1750~, Naples
rdfs:comment: Genre sculpture at Capodimonte has a directness and reality quite distinct from that produced at other Continental porcelain factories. Capodimonte figures are not the picturesque street peddlers of Edme Bouchardon’s Cris de Paris; nor are they the idealized lovers and children inspired by Boucher, J. E. Nilson, and their followers. They are, rather, genuine peasants, tradesmen, and young couples encountering daily life, portrayed unsentimentally but with sympathy and humor. In this group, one of only two known examples of the model, the routing of mice from a linen chest is depicted in a manner in which energy and apprehension are charmingly combined. From the modeling of the figures with their small heads, and the spare painting, it would seem that the group dates from the early period of the factory’s work and perhaps anticipates a later one in a similar vein, the Rabbit Catchers.
owl:sameAs: n10:207402
dc:identifier: 1983.488.3
ecrm:P3_has_note: Genre sculpture at Capodimonte has a directness and reality quite distinct from that produced at other Continental porcelain factories. Capodimonte figures are not the picturesque street peddlers of Edme Bouchardon’s Cris de Paris; nor are they the idealized lovers and children inspired by Boucher, J. E. Nilson, and their followers. They are, rather, genuine peasants, tradesmen, and young couples encountering daily life, portrayed unsentimentally but with sympathy and humor. In this group, one of only two known examples of the model, the routing of mice from a linen chest is depicted in a manner in which energy and apprehension are charmingly combined. From the modeling of the figures with their small heads, and the spare painting, it would seem that the group dates from the early period of the factory’s work and perhaps anticipates a later one in a similar vein, the Rabbit Catchers.
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ecrm:P102_has_title: 1745~ / 1750~, Naples