This HTML5 document contains 7 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

PrefixIRI
n2http://data.silknow.org/event/
n4http://data.silknow.org/actor/
rdfshttp://www.w3.org/2000/01/rdf-schema#
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n5http://data.silknow.org/object/
xsdhhttp://www.w3.org/2001/XMLSchema#

Statements

Subject Item
n2:e255dfa6-caca-3ac5-9043-6f743c8bef86
rdf:type
ecrm:E8_Acquisition
rdfs:comment
This is one of several fans in the Cyril Beaumont Collection owned by Marie Taglioni. part of a unique collection of memorabilia and personal effects which evoke the ballerina in the last decades of her life. The manipulation of the fan would have been an integral part of teaching social dance in the 1870s when Taglioni was teaching in London. From the date of the inscription, Taglioni probably gave it to her pupil, Margaret Rolfe, when she left London to live in Marseilles. A collection of Taglioni memorabilia was amassed by Margaret Rolfe, the granddaughter of Taglioni's closest friend in London, Mrs Boggs Rolfe; she attended Taglioni's dancing classes and received many gifts of Taglioni memorabilia, from Taglioni herself, from her grandmother and from Taglioni's niece, Marguerite Troubetzkoi, after Taglioni's death. She kept these, with a series of related notes, in various boxes and annotated envelopes (filed separately). These she passed to Cyril Beaumont, probably for the London Archives of the Dance (a number of the objects were referred to in "The London Archives of the Dance and some of its Treasures" by Cyril Beaumont, Ballet Annual, first issue, Adam & Charles Black, London, 1947, p110); the Archives never achieved an independent home and part of the collection, including the Taglioni memorabilia, was stored with Cyril Beaumont, where it became inextricably mixed with his own collection and came to the Museum as part of the Cyril Beaumont Bequest.
ecrm:P3_has_note
This is one of several fans in the Cyril Beaumont Collection owned by Marie Taglioni. part of a unique collection of memorabilia and personal effects which evoke the ballerina in the last decades of her life. The manipulation of the fan would have been an integral part of teaching social dance in the 1870s when Taglioni was teaching in London. From the date of the inscription, Taglioni probably gave it to her pupil, Margaret Rolfe, when she left London to live in Marseilles. A collection of Taglioni memorabilia was amassed by Margaret Rolfe, the granddaughter of Taglioni's closest friend in London, Mrs Boggs Rolfe; she attended Taglioni's dancing classes and received many gifts of Taglioni memorabilia, from Taglioni herself, from her grandmother and from Taglioni's niece, Marguerite Troubetzkoi, after Taglioni's death. She kept these, with a series of related notes, in various boxes and annotated envelopes (filed separately). These she passed to Cyril Beaumont, probably for the London Archives of the Dance (a number of the objects were referred to in "The London Archives of the Dance and some of its Treasures" by Cyril Beaumont, Ballet Annual, first issue, Adam & Charles Black, London, 1947, p110); the Archives never achieved an independent home and part of the collection, including the Taglioni memorabilia, was stored with Cyril Beaumont, where it became inextricably mixed with his own collection and came to the Museum as part of the Cyril Beaumont Bequest.
ecrm:P14_carried_out_by
n4:08e106e4-fe51-3faa-a111-9ad1f67138a4
ecrm:P22_transferred_title_to
n4:f0577f91-f887-3019-bf88-f9e5ba019390
ecrm:P23_transferred_title_from
Cyril W Beaumont Bequest
ecrm:P24_transferred_title_of
n5:8b13e16a-d46a-3274-aa05-bbe6d304450e