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Subject Item
n2:70574f3f-535f-3a3f-98ef-999f3e5427ea
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ecrm:E8_Acquisition
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This carpet was first published in 1885, in the catalogue of a temporary exhibition, "Persian and Arab Art", held at the Burlington Fine Arts Club in London. A press review of the exhibition praised the carpet as follows: "a marvellous carpet, refined in gorgeousness of effect, with light grounds of golden and silver threads picked out with velvet devices in rich blues and delicate greens, bordered with fair blue and yellow arabesques. This specimen is supposed to have been made by Persian workmen in Poland; but the evidence in favour of the supposition does not present itself on the face of the carpet, though there has been considerable effort to restablish the reputation of a doubtful Polish factory" (<i>The Builder</i>, 28 March 1885: 437-8). When the exhibition closed in July of that same year, the carpet was given to the South Kensington Museum (today the V&A) on long-term loan from its owner, the art collector George Salting. In 1910, it became part of the permanent collection, along with many other objects in the Salting Bequest.
ecrm:P3_has_note
This carpet was first published in 1885, in the catalogue of a temporary exhibition, "Persian and Arab Art", held at the Burlington Fine Arts Club in London. A press review of the exhibition praised the carpet as follows: "a marvellous carpet, refined in gorgeousness of effect, with light grounds of golden and silver threads picked out with velvet devices in rich blues and delicate greens, bordered with fair blue and yellow arabesques. This specimen is supposed to have been made by Persian workmen in Poland; but the evidence in favour of the supposition does not present itself on the face of the carpet, though there has been considerable effort to restablish the reputation of a doubtful Polish factory" (<i>The Builder</i>, 28 March 1885: 437-8). When the exhibition closed in July of that same year, the carpet was given to the South Kensington Museum (today the V&A) on long-term loan from its owner, the art collector George Salting. In 1910, it became part of the permanent collection, along with many other objects in the Salting Bequest.
ecrm:P14_carried_out_by
n4:cada753f-703f-372e-a13e-4b9d530a1c66
ecrm:P22_transferred_title_to
n4:f0577f91-f887-3019-bf88-f9e5ba019390
ecrm:P23_transferred_title_from
Bequest of George Salting
ecrm:P24_transferred_title_of
n5:3f82b0e6-30e1-3d2b-bece-0e77be3785fe