This woven silk textile was intended for use as curtaining or furniture upholstery. According to the records of Warners, this silk was made for the London decorating firm of Collinson & Lock. Godwin worked for this firm from July 1872 for about three years. His diaries mention the production of designs for Warners over a two-year period from September 1874 to October 1876. This design shows E. W. Godwin's mature, Anglo-Japanese style. The main circular design of magnolia blossom comes directly from a Japanese crest. The original design for this silk is owned by the National Gallery of Victoria, Melbourne, and the V&A has a drawing by Godwin of this particular motif (museum no. E.280-1963). The name of the pattern, which was probably invented by Warners for identification purposes, is misleading. The silk is not a brocade but has a strong technical similarity to a brocatelle, which is a sumptuous, rigid, ribbed fabric suitable for battening to walls. It is possible that the name derived from a misreading of the abbreviation 'Butterfly Broc' by which it was listed in the firm's weaving records.