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The lishui and rock motif on the hem is reminscent of the way the design pattern of the Yongzheng period; however, the same motifs on the black trim around the collar bear motifs from another period (possibly Jiaqing/Daoguang). The face of the main front facing dragon is too broad (which may be the result of very bad joining), and faces of the two xinglong are very poorly executed as well, and do not resemble dragon motifs of the Yongzheng period; also, again, these dragon designs do not match the ones adorning the collar trim. (Yueh-Siang Chang 22 April 2009)

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  • The <i>lishui</i> and rock motif on the hem is reminscent of the way the design pattern of the Yongzheng period; however, the same motifs on the black trim around the collar bear motifs from another period (possibly Jiaqing/Daoguang). The face of the main front facing dragon is too broad (which may be the result of very bad joining), and faces of the two <i>xinglong</i> are very poorly executed as well, and do not resemble dragon motifs of the Yongzheng period; also, again, these dragon designs do not match the ones adorning the collar trim. (Yueh-Siang Chang 22 April 2009)
P3 has note
  • The <i>lishui</i> and rock motif on the hem is reminscent of the way the design pattern of the Yongzheng period; however, the same motifs on the black trim around the collar bear motifs from another period (possibly Jiaqing/Daoguang). The face of the main front facing dragon is too broad (which may be the result of very bad joining), and faces of the two <i>xinglong</i> are very poorly executed as well, and do not resemble dragon motifs of the Yongzheng period; also, again, these dragon designs do not match the ones adorning the collar trim. (Yueh-Siang Chang 22 April 2009)
P108 has produced
P32 used general technique
P126 employed
  • Embroidered silk with silk and gold threads (en)
P4 has time-span
P8 took place on or within
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is P129 is about of
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