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An Entity of Type : ecrm:E12_Production, within Data Space : data.silknow.org associated with source document(s)

1880 Slip Book states that this piece was acquired in 1855 from Pegu. Chinese and Burmese elements suggests the piece was commisioned from Chinese artisans living in Burma. (Noel Singer; Verity Wilson 2002) Attribution note: This piece is stikingly different from the later versions of "kalagas" with their prominently arranged cut-out pieces of brightly coloured felt, cotton, or velvet applique' encrusted with sequins and imitation jewels.Here the technique is predominantly stitch work of shimmering silken threads.

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  • 1880 Slip Book states that this piece was acquired in 1855 from Pegu. Chinese and Burmese elements suggests the piece was commisioned from Chinese artisans living in Burma. (Noel Singer; Verity Wilson 2002) Attribution note: This piece is stikingly different from the later versions of "kalagas" with their prominently arranged cut-out pieces of brightly coloured felt, cotton, or velvet applique' encrusted with sequins and imitation jewels.Here the technique is predominantly stitch work of shimmering silken threads.
P3 has note
  • 1880 Slip Book states that this piece was acquired in 1855 from Pegu. Chinese and Burmese elements suggests the piece was commisioned from Chinese artisans living in Burma. (Noel Singer; Verity Wilson 2002) Attribution note: This piece is stikingly different from the later versions of "kalagas" with their prominently arranged cut-out pieces of brightly coloured felt, cotton, or velvet applique' encrusted with sequins and imitation jewels.Here the technique is predominantly stitch work of shimmering silken threads.
P108 has produced
P32 used general technique
P126 employed
P4 has time-span
P8 took place on or within
is P129 is about of
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