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The textile used in this chasuble is iconic of the early Renaissance period and highly valued; it is this type of textile that is often seen in religious paintings of the time. The complex and expensive weave structure incorporates pile-on-pile weaving, as well as gold metallic loops within the velvet that add extra glitter and shading. The three-dimensional surface is achieved through the use of different lengths of pile. The figures have been identified as a youthful St. John the Evangelist, holding the cup of poison that did not harm him; St. Andrew, with the book and X-shaped cross with which he is associated; a bearded St. Paul, holding a book and a sword; St. Thomas, holding a book and a carpenter's angle; and, possibly, St. Philip, holding a book and a staff with a red cross on one end.

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rdf:type
rdfs:label
  • 1576 / 1600, Italy
rdfs:comment
  • The textile used in this chasuble is iconic of the early Renaissance period and highly valued; it is this type of textile that is often seen in religious paintings of the time. The complex and expensive weave structure incorporates pile-on-pile weaving, as well as gold metallic loops within the velvet that add extra glitter and shading. The three-dimensional surface is achieved through the use of different lengths of pile. The figures have been identified as a youthful St. John the Evangelist, holding the cup of poison that did not harm him; St. Andrew, with the book and X-shaped cross with which he is associated; a bearded St. Paul, holding a book and a sword; St. Thomas, holding a book and a carpenter's angle; and, possibly, St. Philip, holding a book and a staff with a red cross on one end. (en)
sameAs
dc:identifier
  • 2009.300.2953
P3 has note
  • The textile used in this chasuble is iconic of the early Renaissance period and highly valued; it is this type of textile that is often seen in religious paintings of the time. The complex and expensive weave structure incorporates pile-on-pile weaving, as well as gold metallic loops within the velvet that add extra glitter and shading. The three-dimensional surface is achieved through the use of different lengths of pile. The figures have been identified as a youthful St. John the Evangelist, holding the cup of poison that did not harm him; St. Andrew, with the book and X-shaped cross with which he is associated; a bearded St. Paul, holding a book and a sword; St. Thomas, holding a book and a carpenter's angle; and, possibly, St. Philip, holding a book and a staff with a red cross on one end. (en)
P138 has representation
P102 has title
  • 1576 / 1600, Italy
is P30 transferred custody of of
is P106 is composed of of
is P41 classified of
is P108 has produced of
is P129 is about of
is P24 transferred title of of
is crmsci:O8_observed of
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