About: designed before 1645, woven ca. 1645–75, Mortlake     Goto   Sponge   NotDistinct   Permalink

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This tapestry is one from a nine-piece series known as the Hunters’ Chase. Curiously-enough, given its secular subject-matter, the original edition was commissioned by the Dutch Church in London, in 1645. Francis Clein designed four of the pieces in the series from scratch; the other five, including News of the Stag, were based on existing tapestry designs by the great 16th-century artist Bernard van Orley for his influential, Brussels-woven Hunts of Maximilian. Hunters’ Chase proved incredibly popular for Mortlake, resulting in much-needed commissions for the floundering manufactory: at least 8 different re-editions were woven during the following decades, including that of which this News of the Stag was part.For more info see Edith Standen, European post-medieval tapestries and related hangings in The Metropolitan Museum of Art, New York, 1985 (vol.2, cat.125) and Wendy Hefford in Tapestry in the Baroque: Threads of Splendor, MMA exh.cat. 2007 (p.182).

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  • designed before 1645, woven ca. 1645–75, Mortlake
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  • This tapestry is one from a nine-piece series known as the Hunters’ Chase. Curiously-enough, given its secular subject-matter, the original edition was commissioned by the Dutch Church in London, in 1645. Francis Clein designed four of the pieces in the series from scratch; the other five, including News of the Stag, were based on existing tapestry designs by the great 16th-century artist Bernard van Orley for his influential, Brussels-woven Hunts of Maximilian. Hunters’ Chase proved incredibly popular for Mortlake, resulting in much-needed commissions for the floundering manufactory: at least 8 different re-editions were woven during the following decades, including that of which this News of the Stag was part.For more info see Edith Standen, European post-medieval tapestries and related hangings in The Metropolitan Museum of Art, New York, 1985 (vol.2, cat.125) and Wendy Hefford in Tapestry in the Baroque: Threads of Splendor, MMA exh.cat. 2007 (p.182). (en)
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  • 57.127
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  • This tapestry is one from a nine-piece series known as the Hunters’ Chase. Curiously-enough, given its secular subject-matter, the original edition was commissioned by the Dutch Church in London, in 1645. Francis Clein designed four of the pieces in the series from scratch; the other five, including News of the Stag, were based on existing tapestry designs by the great 16th-century artist Bernard van Orley for his influential, Brussels-woven Hunts of Maximilian. Hunters’ Chase proved incredibly popular for Mortlake, resulting in much-needed commissions for the floundering manufactory: at least 8 different re-editions were woven during the following decades, including that of which this News of the Stag was part.For more info see Edith Standen, European post-medieval tapestries and related hangings in The Metropolitan Museum of Art, New York, 1985 (vol.2, cat.125) and Wendy Hefford in Tapestry in the Baroque: Threads of Splendor, MMA exh.cat. 2007 (p.182). (en)
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  • designed before 1645, woven ca. 1645–75, Mortlake
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