About: 1600 / 1624, England     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : ecrm:E22_Man-Made_Object, within Data Space : data.silknow.org associated with source document(s)

Object TypeThis nightcap is a typical example of informal headwear for a wealthy man. Although only worn in the privacy of home, it is a luxurious garment.Ownership & UseCovering the head for both men and women was an important sartorial custom in Western Europe up until 1960s. From a health perspective, head coverings were considered necessary to protect against chills and disease. In literature and paintings, to be bareheaded often signified emotional distress or even insanity.The use of the adjective 'night' in describing various types of informal garments, as in nightcap or nightgown, is sometimes confusing. It refers to 'night clothes', that is, informal clothing worn in the evening, after the formal public attire of the day, rather than to garments that were actually worn in bed.Designs & DesigningThe nightcap's pattern of roses, strawberries, grapes and vine leaves characterises embroidery of the early 17th century. Most needlework designs of the period were naturalistic interpretations of flowers, birds and insects, often copied from herbals and emblem books. By the 1620s several books had been published specifically for embroidery, often with patterns specially adapted for the shape of the nightcap.

AttributesValues
rdf:type
rdfs:label
  • 1600 / 1624, England
rdfs:comment
  • Object Type
    This nightcap is a typical example of informal headwear for a wealthy man. Although only worn in the privacy of home, it is a luxurious garment.

    Ownership & Use
    Covering the head for both men and women was an important sartorial custom in Western Europe up until 1960s. From a health perspective, head coverings were considered necessary to protect against chills and disease. In literature and paintings, to be bareheaded often signified emotional distress or even insanity.

    The use of the adjective 'night' in describing various types of informal garments, as in nightcap or nightgown, is sometimes confusing. It refers to 'night clothes', that is, informal clothing worn in the evening, after the formal public attire of the day, rather than to garments that were actually worn in bed.

    Designs & Designing
    The nightcap's pattern of roses, strawberries, grapes and vine leaves characterises embroidery of the early 17th century. Most needlework designs of the period were naturalistic interpretations of flowers, birds and insects, often copied from herbals and emblem books. By the 1620s several books had been published specifically for embroidery, often with patterns specially adapted for the shape of the nightcap.
    (en)
  • British Galleries: Richly decorated caps like this one were worn informally by aristocratic gentlemen. Despite their name, they were worn during the day at home. Although they do appear in portraits, they were never worn in public. Nevertheless they were usually elaborately embroidered with metal threads, lace and spangles (sequins). [27/03/2003] (en)
  • Cap, embroidered with metal threads and silk on linen with metal laces, England, 1600-24. (en)
  • Richly decorated caps such as this one were informal headwear for aristocratic gentlemen. They were worn in the privacy of home and never seen in public. Nevertheless they were very elaborately embroidered with silver-gilt thread and coloured silks and trimmed with silver-gilt bobbin lace and spangles. (en)
  • Cap, linen, coloured silk & silver-gilt thread with silver-gilt bobbin lace & spangles. Close fitting cap in cream linen, rising from a headband with separate panels worked in a pattern of roses, strawberries, grapes and vine leaves. (en)
sameAs
dc:identifier
  • T.258-1926
P3 has note
  • Object Type
    This nightcap is a typical example of informal headwear for a wealthy man. Although only worn in the privacy of home, it is a luxurious garment.

    Ownership & Use
    Covering the head for both men and women was an important sartorial custom in Western Europe up until 1960s. From a health perspective, head coverings were considered necessary to protect against chills and disease. In literature and paintings, to be bareheaded often signified emotional distress or even insanity.

    The use of the adjective 'night' in describing various types of informal garments, as in nightcap or nightgown, is sometimes confusing. It refers to 'night clothes', that is, informal clothing worn in the evening, after the formal public attire of the day, rather than to garments that were actually worn in bed.

    Designs & Designing
    The nightcap's pattern of roses, strawberries, grapes and vine leaves characterises embroidery of the early 17th century. Most needlework designs of the period were naturalistic interpretations of flowers, birds and insects, often copied from herbals and emblem books. By the 1620s several books had been published specifically for embroidery, often with patterns specially adapted for the shape of the nightcap.
    (en)
  • British Galleries: Richly decorated caps like this one were worn informally by aristocratic gentlemen. Despite their name, they were worn during the day at home. Although they do appear in portraits, they were never worn in public. Nevertheless they were usually elaborately embroidered with metal threads, lace and spangles (sequins). [27/03/2003] (en)
  • Cap, embroidered with metal threads and silk on linen with metal laces, England, 1600-24. (en)
  • Richly decorated caps such as this one were informal headwear for aristocratic gentlemen. They were worn in the privacy of home and never seen in public. Nevertheless they were very elaborately embroidered with silver-gilt thread and coloured silks and trimmed with silver-gilt bobbin lace and spangles. (en)
  • Cap, linen, coloured silk & silver-gilt thread with silver-gilt bobbin lace & spangles. Close fitting cap in cream linen, rising from a headband with separate panels worked in a pattern of roses, strawberries, grapes and vine leaves. (en)
P43 has dimension
P65 shows visual item
P138 has representation
P102 has title
  • 1600 / 1624, England
is P106 is composed of of
is P41 classified of
is P108 has produced of
is rdf:subject of
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