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Cyrillic script on a fictive plaque adorning a trompe l’oeil frame identifies “A. Van Dyck”, the artist of the painting this tapestry imitates. Large-scale figurative tapestries like this one had been woven in Saint Petersburg since at least 1716 when Peter the Great founded a tapestry weaving workshop under royal protection; by 1756, its weavers were directed by Jean Baptiste Rondet, who had worked at the great Manufacture Royale des Gobelins in Paris. This tapestry, woven during the reign of Empress Catherine II of Russia, was probably entirely the work of Russian weavers, and is part of a large group of technically proficient tapestries modelled after great paintings in the Russian royal collection.

AttributesValues
rdf:type
rdfs:label
  • 1776 / 1800, St Petersburg
rdfs:comment
  • Cyrillic script on a fictive plaque adorning a trompe l’oeil frame identifies “A. Van Dyck”, the artist of the painting this tapestry imitates. Large-scale figurative tapestries like this one had been woven in Saint Petersburg since at least 1716 when Peter the Great founded a tapestry weaving workshop under royal protection; by 1756, its weavers were directed by Jean Baptiste Rondet, who had worked at the great Manufacture Royale des Gobelins in Paris. This tapestry, woven during the reign of Empress Catherine II of Russia, was probably entirely the work of Russian weavers, and is part of a large group of technically proficient tapestries modelled after great paintings in the Russian royal collection. (en)
sameAs
dc:identifier
  • 53.225.13
P3 has note
  • Cyrillic script on a fictive plaque adorning a trompe l’oeil frame identifies “A. Van Dyck”, the artist of the painting this tapestry imitates. Large-scale figurative tapestries like this one had been woven in Saint Petersburg since at least 1716 when Peter the Great founded a tapestry weaving workshop under royal protection; by 1756, its weavers were directed by Jean Baptiste Rondet, who had worked at the great Manufacture Royale des Gobelins in Paris. This tapestry, woven during the reign of Empress Catherine II of Russia, was probably entirely the work of Russian weavers, and is part of a large group of technically proficient tapestries modelled after great paintings in the Russian royal collection. (en)
P43 has dimension
P138 has representation
P102 has title
  • 1776 / 1800, St Petersburg
is P30 transferred custody of of
is P106 is composed of of
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is P108 has produced of
is P129 is about of
is P24 transferred title of of
is crmsci:O8_observed of
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