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Napoleon III gave this tapestry to the South Kensington Museum (as the Victoria & Albert Museum was then called) in recognition of the gracious welcome and assistance given by the officials of the Museum to the French Jury at the Universal Exhibition of 1862 in London. Laborious copying of paintings like Raphael's Holy Family, which this tapestry is after, formed a large part of the new work undertaken at the Gobelins tapestry manufactory in the nineteenth century.

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rdfs:label
  • 1852-05-23, Paris
rdfs:comment
  • Napoleon III gave this tapestry to the South Kensington Museum (as the Victoria & Albert Museum was then called) in recognition of the gracious welcome and assistance given by the officials of the Museum to the French Jury at the Universal Exhibition of 1862 in London. Laborious copying of paintings like Raphael's Holy Family, which this tapestry is after, formed a large part of the new work undertaken at the Gobelins tapestry manufactory in the nineteenth century. (en)
  • Tapestry, woven in wool and silk, after a painting by Raphael depicting the Holy Family. (en)
  • Tapestry, after a painting of the Holy Family by Raphael; principal weaver Adolphe Margarita; made at the Gobelins in Paris, 23/05/1852-06/12/1856 (en)
  • 'American and European Art and Design 1800-1900' Laborious copying of paintings formed a large part of the new work undertaken at the Gobelins in the nineteenth century. Napoleon III gave the tapestry to the South Kensington Museum (as the Victoria & Albert Museum was then called) in recognition of the gracious welcome and assistance given by the officals of the Museum to the French Jury at the Universal Exhibition of 1862 in London. [1987-2006] (en)
  • Laborious copying of paintings formed a large part of the new work undertaken at the Gobelins in the nineteenth century. (en)
sameAs
dc:identifier
  • 7926-1862
P3 has note
  • Napoleon III gave this tapestry to the South Kensington Museum (as the Victoria & Albert Museum was then called) in recognition of the gracious welcome and assistance given by the officials of the Museum to the French Jury at the Universal Exhibition of 1862 in London. Laborious copying of paintings like Raphael's Holy Family, which this tapestry is after, formed a large part of the new work undertaken at the Gobelins tapestry manufactory in the nineteenth century. (en)
  • Tapestry, woven in wool and silk, after a painting by Raphael depicting the Holy Family. (en)
  • Tapestry, after a painting of the Holy Family by Raphael; principal weaver Adolphe Margarita; made at the Gobelins in Paris, 23/05/1852-06/12/1856 (en)
  • 'American and European Art and Design 1800-1900' Laborious copying of paintings formed a large part of the new work undertaken at the Gobelins in the nineteenth century. Napoleon III gave the tapestry to the South Kensington Museum (as the Victoria & Albert Museum was then called) in recognition of the gracious welcome and assistance given by the officals of the Museum to the French Jury at the Universal Exhibition of 1862 in London. [1987-2006] (en)
  • Laborious copying of paintings formed a large part of the new work undertaken at the Gobelins in the nineteenth century. (en)
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  • 1852-05-23, Paris
is P106 is composed of of
is P41 classified of
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