About: 1711~, Beauvais     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : ecrm:E22_Man-Made_Object, within Data Space : data.silknow.org associated with source document(s)

Presenting musicians, acrobats, and exotic animals within a fanciful architectural setting, this tapestry is from a set known as the Berain Grotesques, in reference to the pervasive stylistic influence of Jean Berain (1640–1711), who may even have provided preliminary sketches. The Classical architecture, flora, fauna and figures against the blank ground was in emulation of the Roman wall-paintings excavated in the subterranean chambers of Nero's palace in Rome (erroneously called 'grotti', hence 'grotesques'.) The light-hearted subject matter and whimsical design contrast with the heavier, ornate style that had characterized French tapestry during the third quarter of the seventeenth century. The series enjoyed immense popularity during the late seventeenth and early eighteenth centuries, and the Beauvais workshop produced many weavings for international clients.

AttributesValues
rdf:type
rdfs:label
  • 1711~, Beauvais
rdfs:comment
  • Presenting musicians, acrobats, and exotic animals within a fanciful architectural setting, this tapestry is from a set known as the Berain Grotesques, in reference to the pervasive stylistic influence of Jean Berain (1640–1711), who may even have provided preliminary sketches. The Classical architecture, flora, fauna and figures against the blank ground was in emulation of the Roman wall-paintings excavated in the subterranean chambers of Nero's palace in Rome (erroneously called 'grotti', hence 'grotesques'.) The light-hearted subject matter and whimsical design contrast with the heavier, ornate style that had characterized French tapestry during the third quarter of the seventeenth century. The series enjoyed immense popularity during the late seventeenth and early eighteenth centuries, and the Beauvais workshop produced many weavings for international clients. (en)
sameAs
dc:identifier
  • 1977.437.3
P3 has note
  • Presenting musicians, acrobats, and exotic animals within a fanciful architectural setting, this tapestry is from a set known as the Berain Grotesques, in reference to the pervasive stylistic influence of Jean Berain (1640–1711), who may even have provided preliminary sketches. The Classical architecture, flora, fauna and figures against the blank ground was in emulation of the Roman wall-paintings excavated in the subterranean chambers of Nero's palace in Rome (erroneously called 'grotti', hence 'grotesques'.) The light-hearted subject matter and whimsical design contrast with the heavier, ornate style that had characterized French tapestry during the third quarter of the seventeenth century. The series enjoyed immense popularity during the late seventeenth and early eighteenth centuries, and the Beauvais workshop produced many weavings for international clients. (en)
P43 has dimension
P65 shows visual item
P138 has representation
P102 has title
  • 1711~, Beauvais
is P30 transferred custody of of
is P106 is composed of of
is P41 classified of
is P108 has produced of
is rdf:subject of
is P129 is about of
is P24 transferred title of of
is crmsci:O8_observed of
Faceted Search & Find service v1.16.112 as of Mar 01 2023


Alternative Linked Data Documents: ODE     Content Formats:   [cxml] [csv]     RDF   [text] [turtle] [ld+json] [rdf+json] [rdf+xml]     ODATA   [atom+xml] [odata+json]     Microdata   [microdata+json] [html]    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 07.20.3236 as of Mar 1 2023, on Linux (x86_64-pc-linux-musl), Single-Server Edition (126 GB total memory, 29 GB memory in use)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2024 OpenLink Software