The figures appear also in a series of six prints of the Life of Man after Stradanus engraved by Furnius in 1570. The engravings link the Ages of Man with the Pilgrimage of Life, Youth is given the choice between the World, the Flesh and the Devil and the Path of Virtue. Manhood is assisted by the four Cardinal Virtues. These most likely reflect the design of the eight lost tapestries linked to humanistic themes given a specifically Christian context.
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| - The figures appear also in a series of six prints of the <i>Life of Man</i> after Stradanus engraved by Furnius in 1570. The engravings link the Ages of Man with the Pilgrimage of Life, Youth is given the choice between the World, the Flesh and the Devil and the Path of Virtue. Manhood is assisted by the four Cardinal Virtues. These most likely reflect the design of the eight lost tapestries linked to humanistic themes given a specifically Christian context. (en)
- Tapestry of woven wool and silk, 'Manhood from The Life of Man', possibly designed by Benedetto di Michele Squilli, Florence, 1565. (en)
- A 14-piece set of tapestries depicting the Life of Man were completed at the workshop of Benedetto Squilli in 1565 for Palazzo Vecchio, of which only four panels survive. The panel in the Victoria and Albert Museum depicts Man midway in his pilgrimage of life, ascending the mountain of salvation in the company of two female figures, Faith and Innocence, together with the winged child personifying Divine Love. Two other women, Religion and Piety, await them half-way up the mountain. The set of tapestries linked the Ages of Man with the Pilgrimage of Life. Youth is given the choice between the World, the Flesh and the Devil and the Path of Virtue. (en)
- Tapestry of woven wool and silk, depicting a man midway in his pilgrimage of life. Dressed in a short tunic he is seen from the back, ascending the mountain of salvation in the company of two female figure and a winged child. To the right of the man walks the small winged child and one of the women, the latter probably a personification of Faith accompanied by Divine Love. The woman to the left carries a golden bowl from which two wings protrude; she is a personification of Innocence, holding a symbol of the Life of Man.There is a rocky landscape with classical ruins. Two other women, Religion and Piety, await them half-way up the mountain. The border contains thick strapwork and human figures. (en)
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| - The figures appear also in a series of six prints of the <i>Life of Man</i> after Stradanus engraved by Furnius in 1570. The engravings link the Ages of Man with the Pilgrimage of Life, Youth is given the choice between the World, the Flesh and the Devil and the Path of Virtue. Manhood is assisted by the four Cardinal Virtues. These most likely reflect the design of the eight lost tapestries linked to humanistic themes given a specifically Christian context. (en)
- Tapestry of woven wool and silk, 'Manhood from The Life of Man', possibly designed by Benedetto di Michele Squilli, Florence, 1565. (en)
- A 14-piece set of tapestries depicting the Life of Man were completed at the workshop of Benedetto Squilli in 1565 for Palazzo Vecchio, of which only four panels survive. The panel in the Victoria and Albert Museum depicts Man midway in his pilgrimage of life, ascending the mountain of salvation in the company of two female figures, Faith and Innocence, together with the winged child personifying Divine Love. Two other women, Religion and Piety, await them half-way up the mountain. The set of tapestries linked the Ages of Man with the Pilgrimage of Life. Youth is given the choice between the World, the Flesh and the Devil and the Path of Virtue. (en)
- Tapestry of woven wool and silk, depicting a man midway in his pilgrimage of life. Dressed in a short tunic he is seen from the back, ascending the mountain of salvation in the company of two female figure and a winged child. To the right of the man walks the small winged child and one of the women, the latter probably a personification of Faith accompanied by Divine Love. The woman to the left carries a golden bowl from which two wings protrude; she is a personification of Innocence, holding a symbol of the Life of Man.There is a rocky landscape with classical ruins. Two other women, Religion and Piety, await them half-way up the mountain. The border contains thick strapwork and human figures. (en)
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| P138 has representation
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| P102 has title
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| is P108 has produced
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