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An Entity of Type : ecrm:E22_Man-Made_Object, within Data Space : data.silknow.org associated with source document(s)

Cushion cover

AttributesValues
rdf:type
rdfs:label
  • 1550 / 1600, London
rdfs:comment
  • Cushion cover (en)
  • embroidered, 1550-1599, English; Grotesques (en)
  • British Galleries: The cover is a rare survival of the best English 'Grotesque' work. This kind of ornament originally used on wall-paintings was rediscovered in the 16th century during excavations of ancient Rome. It was introduced to England through prints. Here the natural world seems to change before our eyes: herons and ostriches become fantastical birds, masks and sphinxes make up the borders. [27/03/2003] (en)
  • Object Type
    This cushion cover with its up-to-date design and rich materials would have provided a sumptuous and colourful cover for a chair or bench.

    Ownership & Use
    Although nothing is known about the family who owned this cushion cover, it is possible that they had travelled to Italy and were thus aware of the excavated ancient wall-paintings in Rome that inspired this type of design. It is equally likely that they used a designer who was keeping up with with current international taste.

    Design & Designing
    Although arabesques, strapwork and other elements of Renaissance ornament were known to English designers, they were seldom used in their pure form. Usually they were combined with specifically English motifs or modified to suit the current English taste for more naturalistic design.

    Materials & Making
    This style of embroidery belongs to a group in which rich woven fabrics were applied to one another and embellished with minor details in silk and sometimes metal thread and sequins.
    (en)
sameAs
dc:identifier
  • T.22-1947
P3 has note
  • Cushion cover (en)
  • embroidered, 1550-1599, English; Grotesques (en)
  • British Galleries: The cover is a rare survival of the best English 'Grotesque' work. This kind of ornament originally used on wall-paintings was rediscovered in the 16th century during excavations of ancient Rome. It was introduced to England through prints. Here the natural world seems to change before our eyes: herons and ostriches become fantastical birds, masks and sphinxes make up the borders. [27/03/2003] (en)
  • Object Type
    This cushion cover with its up-to-date design and rich materials would have provided a sumptuous and colourful cover for a chair or bench.

    Ownership & Use
    Although nothing is known about the family who owned this cushion cover, it is possible that they had travelled to Italy and were thus aware of the excavated ancient wall-paintings in Rome that inspired this type of design. It is equally likely that they used a designer who was keeping up with with current international taste.

    Design & Designing
    Although arabesques, strapwork and other elements of Renaissance ornament were known to English designers, they were seldom used in their pure form. Usually they were combined with specifically English motifs or modified to suit the current English taste for more naturalistic design.

    Materials & Making
    This style of embroidery belongs to a group in which rich woven fabrics were applied to one another and embellished with minor details in silk and sometimes metal thread and sequins.
    (en)
P43 has dimension
P65 shows visual item
P138 has representation
P102 has title
  • 1550 / 1600, London
is P106 is composed of of
is P41 classified of
is P108 has produced of
is rdf:subject of
is P129 is about of
is P24 transferred title of of
is crmsci:O8_observed of
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