Part of a man's skirt (pah-soe), Burmese silk pah-soe piece. Konbaung Dynasty (1752-1885). ca. 1880. Acheik-luntaya patterns in various colours.
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| - Part of a man's skirt (<i>pah-soe</i>), Burmese silk pah-soe piece. Konbaung Dynasty (1752-1885). ca. 1880. Acheik-luntaya patterns in various colours. (en)
- A piece made up of four and a half repeats of various weft acheik (horizontal wave) patterns with checkered end borders in a subtle variation of tones including deep pink, gold colour, two shades of green, maroon and white.
This length would have formed half a pah-soe. (en)
- This detail shows the long edge of a silk piece intended to form part of a
<i>pah-soe</i>, the voluminous wrapped and draped skirt worn by fashionably dressed Burmese gentlemen on festive occasions.
Typical of such a garment this piece displays the unique Burmese pattern called '100 shuttles' in an interlocking tapestry weave known as <i>acheik-luntaya</i> in a design and colours reserved for men's clothing. (en)
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| - Part of a man's skirt (<i>pah-soe</i>), Burmese silk pah-soe piece. Konbaung Dynasty (1752-1885). ca. 1880. Acheik-luntaya patterns in various colours. (en)
- A piece made up of four and a half repeats of various weft acheik (horizontal wave) patterns with checkered end borders in a subtle variation of tones including deep pink, gold colour, two shades of green, maroon and white.
This length would have formed half a pah-soe. (en)
- This detail shows the long edge of a silk piece intended to form part of a
<i>pah-soe</i>, the voluminous wrapped and draped skirt worn by fashionably dressed Burmese gentlemen on festive occasions.
Typical of such a garment this piece displays the unique Burmese pattern called '100 shuttles' in an interlocking tapestry weave known as <i>acheik-luntaya</i> in a design and colours reserved for men's clothing. (en)
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