About: 1700 / 1799, Turkey     Goto   Sponge   NotDistinct   Permalink

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From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades.

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rdf:type
rdfs:label
  • 1700 / 1799, Turkey
rdfs:comment
  • From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades. (en)
  • Cover, linen embroidered with silk in double darning on the diagonal over 6 threads, double running in a line, satin and slanted satin stitch. There is a fine blue embroidered line around all four sides. (en)
sameAs
dc:identifier
  • T.256-1934
P3 has note
  • From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades. (en)
  • Cover, linen embroidered with silk in double darning on the diagonal over 6 threads, double running in a line, satin and slanted satin stitch. There is a fine blue embroidered line around all four sides. (en)
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  • 1700 / 1799, Turkey
is P106 is composed of of
is P41 classified of
is P108 has produced of
is P129 is about of
is P24 transferred title of of
is crmsci:O8_observed of
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