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embroidered, 1700-49, Turkish

AttributesValues
rdf:type
rdfs:label
  • 1700 / 1799, Turkey
rdfs:comment
  • embroidered, 1700-49, Turkish (en)
  • Sash border woven with a linen warp and silk weft forming bands, embroidered with silk in double darning on the diagonal, double running in a line and satin stitch. The embroidery is in the form of two almost square panels, side by side. Each begins at the bottom with a small curling stem which branches many times to fill the area available. These stems bear red and white flowers, white tulip-like flowers against green leaves and sprays of blue hyacinth. (en)
  • Sashes were worn around the waist and were tied so that the decorative ends hung at knee level. From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades. (en)
sameAs
dc:identifier
  • 477-1877
P3 has note
  • embroidered, 1700-49, Turkish (en)
  • Sash border woven with a linen warp and silk weft forming bands, embroidered with silk in double darning on the diagonal, double running in a line and satin stitch. The embroidery is in the form of two almost square panels, side by side. Each begins at the bottom with a small curling stem which branches many times to fill the area available. These stems bear red and white flowers, white tulip-like flowers against green leaves and sprays of blue hyacinth. (en)
  • Sashes were worn around the waist and were tied so that the decorative ends hung at knee level. From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades. (en)
P43 has dimension
P138 has representation
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  • 1700 / 1799, Turkey
is P106 is composed of of
is P41 classified of
is P108 has produced of
is P129 is about of
is P24 transferred title of of
is crmsci:O8_observed of
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