Attributes | Values |
---|
rdf:type
| |
rdfs:label
| |
rdfs:comment
| - 1500-1515, Southern Netherlands; Pastoral, La Main Chaude (en)
- Made in Flanders in the early sixteenth century, this tapestry depicts shepherds and shepherdesses playing 'la main chaude', a children's game known as 'hot cockles' in English. One participant hides his face in sombody's lap with one hand behind his back. The other players slap the hand making it 'hot' while the hand's owner has to guess who is slapping. The flirtatious physicality of this game when played by adults is particularly apparent in the central group.
The tapestry is bursting with activity and finely observed detail; a woodcutter's flask hangs casually from a branch, a fox on a hillock eyes the sheep ignored by the frolicking shepherds. The shepherds and sheperdesses too, with knives, combs, rosaries and whistles hanging from their belts, their crooks with blades for digging, display an extraordinary level of individuality and life. They are also very well dressed, especially when compared with the swineherd and woodcutter, and this has lead many commentators to suggest that the tapestry depicts courtiers playing at rural life. (en)
- From Wingfield Digby catalogue 'Shepherds and shepherdesses are playing the game of la main chaude in a woodland scene, with woodcutters at work in the background, where swine are routing; sheep in the middle ground and a dog. A finely dressed lady is with the peasants and a nobleman, hawk on fist, with a lady and an attendant bearing a flask, advance from a drawbridge.' (en)
- 'LA MAIN CHAUDE'
The name of the Pastoral comes from the children's game being played in the centre. One player hides his eyes and has to guess who slaps the hand he holds behind his back. Several wrong guesses would result in a 'hot hand', hence 'la main chaude'.
Courtly, well-dressed shepherds and shepherdesses (particularly the one in a wide hat, with sleeves impracticably long made from expensive, large-patterned material) contrast with the real peasants, swineherd and woodcutters, at top right.
FLEMISH; ealry 16th century
Museum number 5668-1859 [] (en)
|
sameAs
| |
dc:identifier
| |
P3 has note
| - 1500-1515, Southern Netherlands; Pastoral, La Main Chaude (en)
- Made in Flanders in the early sixteenth century, this tapestry depicts shepherds and shepherdesses playing 'la main chaude', a children's game known as 'hot cockles' in English. One participant hides his face in sombody's lap with one hand behind his back. The other players slap the hand making it 'hot' while the hand's owner has to guess who is slapping. The flirtatious physicality of this game when played by adults is particularly apparent in the central group.
The tapestry is bursting with activity and finely observed detail; a woodcutter's flask hangs casually from a branch, a fox on a hillock eyes the sheep ignored by the frolicking shepherds. The shepherds and sheperdesses too, with knives, combs, rosaries and whistles hanging from their belts, their crooks with blades for digging, display an extraordinary level of individuality and life. They are also very well dressed, especially when compared with the swineherd and woodcutter, and this has lead many commentators to suggest that the tapestry depicts courtiers playing at rural life. (en)
- From Wingfield Digby catalogue 'Shepherds and shepherdesses are playing the game of la main chaude in a woodland scene, with woodcutters at work in the background, where swine are routing; sheep in the middle ground and a dog. A finely dressed lady is with the peasants and a nobleman, hawk on fist, with a lady and an attendant bearing a flask, advance from a drawbridge.' (en)
- 'LA MAIN CHAUDE'
The name of the Pastoral comes from the children's game being played in the centre. One player hides his eyes and has to guess who slaps the hand he holds behind his back. Several wrong guesses would result in a 'hot hand', hence 'la main chaude'.
Courtly, well-dressed shepherds and shepherdesses (particularly the one in a wide hat, with sleeves impracticably long made from expensive, large-patterned material) contrast with the real peasants, swineherd and woodcutters, at top right.
FLEMISH; ealry 16th century
Museum number 5668-1859 [] (en)
|
P43 has dimension
| |
P138 has representation
| |
P102 has title
| |
is P106 is composed of
of | |
is P41 classified
of | |
is P108 has produced
of | |
is P129 is about
of | |
is P24 transferred title of
of | |
is crmsci:O8_observed
of | |