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By the 1870s Kashmir shawls had been in fashion for nearly a century. The advent of slimmer fashions and the bustled skirt meant that shawls became outdated. Some were transformed into figure-hugging mantles or dolmans, lavishly trimmed and lined to match the colours of the shawl pattern. Ornate trimmings positioned on the back of this dolman accentuate its bustled silhouette and complement the paisley patterned textile. Rich passementerie such as tassles, rosettes, braid, cords, tufts, and fringe frequently embellished women's fashionable dress, creating luxurious effects resembling the trimmings found on curtains and upholstery. These trimmings took hours of highly skilled work to complete.The example illustrated here incorporates three long pointed wooden moulds wrapped in blue floss silk. These are then decorated with a multicoloured cord, which must have been made specifically for this garment, as the colours harmonize exactly.

AttributesValues
rdf:type
rdfs:label
  • 1878 / 1882, India
rdfs:comment
  • By the 1870s Kashmir shawls had been in fashion for nearly a century. The advent of slimmer fashions and the bustled skirt meant that shawls became outdated. Some were transformed into figure-hugging mantles or dolmans, lavishly trimmed and lined to match the colours of the shawl pattern. Ornate trimmings positioned on the back of this dolman accentuate its bustled silhouette and complement the paisley patterned textile. Rich passementerie such as tassles, rosettes, braid, cords, tufts, and fringe frequently embellished women's fashionable dress, creating luxurious effects resembling the trimmings found on curtains and upholstery. These trimmings took hours of highly skilled work to complete.The example illustrated here incorporates three long pointed wooden moulds wrapped in blue floss silk. These are then decorated with a multicoloured cord, which must have been made specifically for this garment, as the colours harmonize exactly. (en)
  • Woman's mantle or dolman of woven wool lined with quilted silk satin and trimmed with a twisted silk and chenille fringe. At each side of the back waist there is a passementerie motif, each with three suspended passementerie moulds. (en)
sameAs
dc:identifier
  • T.44-1957
P3 has note
  • By the 1870s Kashmir shawls had been in fashion for nearly a century. The advent of slimmer fashions and the bustled skirt meant that shawls became outdated. Some were transformed into figure-hugging mantles or dolmans, lavishly trimmed and lined to match the colours of the shawl pattern. Ornate trimmings positioned on the back of this dolman accentuate its bustled silhouette and complement the paisley patterned textile. Rich passementerie such as tassles, rosettes, braid, cords, tufts, and fringe frequently embellished women's fashionable dress, creating luxurious effects resembling the trimmings found on curtains and upholstery. These trimmings took hours of highly skilled work to complete.The example illustrated here incorporates three long pointed wooden moulds wrapped in blue floss silk. These are then decorated with a multicoloured cord, which must have been made specifically for this garment, as the colours harmonize exactly. (en)
  • Woman's mantle or dolman of woven wool lined with quilted silk satin and trimmed with a twisted silk and chenille fringe. At each side of the back waist there is a passementerie motif, each with three suspended passementerie moulds. (en)
P138 has representation
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  • 1878 / 1882, India
is P106 is composed of of
is P41 classified of
is P108 has produced of
is P129 is about of
is P24 transferred title of of
is crmsci:O8_observed of
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